Piotr Lemanczyk - bass
Krzysztof Gradziuk - drums
PRIVATE EDITION
By Adam Baruch
This is the fourth album by the Polish Jazz trumpeter / composer Maciej Fortuna, who emerges as one of the leaders of the local scene in the second decade of the 21st Century. His prolific activity as a player and recording artist is unprecedented and his rapid development as a musician and composer, as documented by his frequent recordings, is simply astounding.
This album is a
"home" recording in a trio format, with the same lineup that recorded
Fortuna's previous album "Sahjia", which features the brilliant and
by now veteran bassist Piotr Lemanczyk and the excellent drummer Krzysztof
Gradziuk (of RGG fame). The material includes eleven original compositions,
seven of which are by the leader and the remaining four (which are parts of a
four-piece suite, the first of which features vocals by Marta Podulka) are
credited to the trio.
Following a period of touring
together, this trio is a prime example of team cooperation and collective
effort, which results in the outcome being much more than a sum of its parts.
One should hardly look at this music as a leader with a supporting rhythm
section; on the contrary Fortuna puts his ego away in order to construct a
unit, which performs as one. Obviously there is also plenty of superb soloing
here, as appropriate for a Jazz recording; Lemanczyk plays way beyond a typical
role required by a bassist; his lyricism and sublime feel of harmony create a
whole layer of background sounds parallel to trumpet lines, Gradziuk hardly
ever keeps time per se, using his kit as a melodic environment and less so as a
rhythmic tool and Fortuna is of course phenomenal as a soloist, with a
beautiful tone and breathtaking arpeggios. His playing is changing over time to
become similar to the great Jazz trumpeters of the past, even somewhat similar
to early Tomasz Stanko, but much more polished technically.
The most important
characteristic of the wonderful music presented here is its minimalism and
modesty. There is so much lyricism and melancholy in Fortuna's compositions
that they become probably the most genuine extensions of the Polish Jazz legacy
that first started in the 1960s. It's not a conscious attempt to play
"retro" oriented music, au contraire it is completely up to date, and
yet, at least for me, it carries on the tradition more than most other Polish
Jazz ensembles do at the moment. There is also more freedom here than in
Fortuna's earlier recordings, without loosing any of the coherence and clarity
his music is blessed with. This melody based Free Jazz is after all the ideal
mixture of everything Jazz is all about: a perfect marriage of discipline and
liberty.
This is a remarkable album by
all standards and it is a pleasure to follow the development of such talented
Artists, who are like a tree bearing better and better fruit year after year.
There is nothing else one can do but raise one's hat in salute and hope for the
next harvest. God bless you guys for sharing this music with us.
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