Dariusz Petera - piano
Maciej "Kocin" Kociński - tenor saxophone
Emil Miszk - trumpet
Krzysztof Lenczowski - cello
Andrzej Święs - double bass
Krzysztof Szmańda - drums
Flashover
REQUIEM/LYDIAN 2019/4
By Adam Baruch
This is the debut album as a
leader by Polish Jazz pianist/composer Dariusz Petera recorded in a sextet
setting with some of the top Polish Jazz musicians: trumpeter Emil Miszk,
saxophonist Maciej Kociński, cellist Krzysztof Lenczowski, bassist Andrzej Święs and drummer Krzysztof Szmańda. The album presents ten original
compositions, all by Petra.
The music was recorded at the excellent RecPublica Studios and offers a superb
sound quality. It also offers a highly aesthetic packaging.
The music is a wonderful
example of contemporary Polish/European Jazz, which combines melodic themes
with open structures, which enable the music to spread freely in many different
directions not being limited by traditional Jazz pre-conceptions, resulting in
many unexpected manifestations of the compositional palette. Petera certainly
arises as a new talent on the local Jazz scene and the fact that the last time
he took part in recording an album happened six years ago is very intriguing. But
the long wait was certainly worthwhile, as the compositions on this album are
all perfectly rounded and coherent, mature and most importantly present unique
personal stylistic idiosyncrasies, characterized by the dominant role of the
rhythmic pulse, which stands on the same level as the melodic and harmonic
contents.
The performances are all
absolutely stellar, which of course is hardly surprising. Kociński, Święs and
Szmańda, who together with Krzysztof Dys at the piano played together for many
years as the sublime Soundcheck quartet, one of my favorite Polish Jazz
ensembles which sadly dropped off the horizon, are of course Masters of the
trade. Lenczowski, who made a spectacular career with the Atom String Quartet and
recorded superb solo albums, is a Superstar. And finally Miszk, who is the most
in demand young generation upcoming Polish Jazz trumpeter. In short Petera
might have as well called this ensemble All Stars. Of course Petera also plays
excellently, but respectfully shares the spotlight more or less evenly with the
rest of the sextet members.
Overall this album is
undoubtedly a notable event on the Polish Jazz scene, especially in view of the
incredibly high competition that scene generates. It is also a splendid debut
effort, which hopefully will be followed by many similar achievements of the
same significance and Artistic scale. Well done indeed!
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