Sabina Meck - vocal
Przemysław Chmiel - tenor & soprano saxophones
Łukasz Kokoszko - guitar
Michał Jakubczak - piano
Piotr Narajowski - bass
Szymon Madej - drums
Wojciech Myrczek - vocal (8)
Słowo Na T
SJ 048
By Adam Baruch
This is the third album by
Polish Jazz vocalist/songwriter Sabina Meck (a.k.a. Sabina Myrczek), recorded
in a sextet setting with saxophonist Przemysław Chmiel, guitarist Łukasz
Kokoszko, pianist Michał Jakubczak, bassist Piotr Najarowski and drummer Szymon
Madej. Sabina's brother vocalist Wojciech Myrczek guests on one track. The
album presents ten original songs, all written (music and lyrics, all bar one in
Polish language) by Meck. The album was recorded at the Monochrome Studio and
engineered by Ignacy Gruszecki with excellent, as usual, sound quality.
The album is a perfect document
of the process Meck completed in the first five years of her career, both as
vocalist and even more so as songwriter. The choices she made here to sing only
original material and finally singing in Polish prove to be the right ones in
every respect, as this album is definitely the most advanced and sophisticated
achievement she made so far, even though the two previous albums were already remarkable
by any standard.
The most striking quality of
this album is the quality of the compositions, which is nothing short of
astounding. Although hey are all full of beautiful melodies, they also dare to
explore much less conventional areas, sometimes even bordering on Free. The
rhythmic patterns are often unusual and convoluted as well. As a result
musically the album enters another dimension entirely, stepping beyond what is
expected from "song oriented" music.
Meck utilizes all her wonderful
vocal abilities augmented by an extensive technical range, singing both lyrics
and vocalese, spoken word and theatrical phrasing, each and every time
perfectly appropriate to the given musical setting. Singing in Polish allows
her to emphasize the dramatic qualities of her lyrics, which adds another layer
to the songs' overall effectiveness.
She is beautifully supported by
the five instrumentalists, who spice the proceedings with superb soloing and
steady rhythmic flow, which is extremely important in this complex music. The
young generation of Polish Jazz musicians is so full of wonderfully talented people
that we take this level of quality for granted, but in fact this is true
miracle.
2019 finally proved to be a
remarkably fruitful year for Polish vocal Jazz albums after many decades of
relative stagnation. This album is certainly one of most impressive of these
albums, deserving as much love and attention as possible. I am happy so see
that my high hopes and expectations from Sabina Meck, from the moment I first
heard her, proved to be justified and it makes me extremely happy to see her
consistently reaching for the stars. You make me proud my Dear.
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