Piotr Damasiewicz - trumpet
Maciej Garbowski - double bass
William Soovik - drums
Sesto Elemento
FSR 04
By Adam Baruch
This is a live recording, captured during the Ad Libitum Festival in Warsaw, by an Improvised Music trio comprising of Polish bassist Maciej Garbowski, Polish trumpeter Piotr Damasiewicz and Swedish drummer William Soovik. The album presents nine tracks of freely improvised music, with the composition rights not credited on the album's packaging, therefore by default assumed to be co-created by the trio members. The album was mixed and mastered by Jan Smoczyński, owner of the Studio Tokarnia, which guaranties a great sound quality.
Garbowski is one of my favorite
Polish Jazz bass players, who has a proven record not only in the
"conventional" Jazz environment as a member of the fabulous RGG trio,
but also in much more adventurous experiments, some of them involving also
Damasiewicz. This recording is however the most radical environment as far as
everything I heard so far by Garbowski. This "total" freedom seems to
ill-serve his great talent, mostly because although his playing here is as
brilliant as always, it is somewhat detached from his partners, who seem to be
exploring their own private avenues.
Damasiewicz progressed quite
consistently towards freely improvised music in the stretch of the last few
years and although I loved his playing a few years ago, when it showed promises
of catapulting him to the very top of the Polish Jazz trumpet pedestal, his
more recent explorations leave me much less enthusiastic.
Soovik plays along agreeably
with his Polish cohorts, but his contributions to the trio's effort are overall
almost unnoticed, staying way in the background most of the time. Nothing wrong
with that of course, but in a free improvised environment the total input is
what counts as the final result.
There are many interesting
moments on this album, some brief highly inspired flashes of sheer genius, but
sadly overall while this music was probably a stimulating listening experience,
its weight as recorded document is much less significant. As usual the decision
do release a piece of recorded music on record is not an easy one and always a
very subjective matter.
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