Adam Wendt - saxophone
Wojciech Niedziela - piano
Zbigniew Wrombel - bass
Marcin Jahr - drums
Rhythm & Jazz
SOLITON 862
By Adam Baruch
This is an album by veteran
Polish Jazz saxophonist/composer Adam Wendt recorded in a quartet setting
with pianist Wojciech Niedziela, bassist Zbigniew Wrombel and drummer Marcin
Jahr. American trumpeter Randy Brecker guests on two tracks and guitarist Dean
Brown on one track. The album presents nine original compositions, all by
Wendt. The album was beautifully recorded at the RecPublica Studios and
engineered by Lukasz Olejarczyk and offers a truly spectacular sound,
The music, as the title
suggests, is all mainstream Jazz that emphasizes the Rhythm And Blues stream in
American Jazz popular in the 1950s and 1960s. It is pretty astounding how
American this music sounds, although it is completely "Made in Poland"!
When blindfold tested this music might have been identified as a
"lost" Cannonball Adderley album. For the Jazz cognoscenti the
Adderley's great hit "Mercy, Mercy. Mercy" comes immediately to mind
when this music plays, but we should remember it was written by Joe Zawinul,
who was as European as they come. Niedziela's vamping on this album and his
piano parts are a great tribute to Zawinul.
The execution is absolutely
perfect in every respect – the sound, the beat, the feel and everything else
sounds like top American musicians at work. But considering the fact that these
are original compositions, one can only take the hat off in full respect and
admiration.
Although this album does not
overall offer anything new or unexpected, it presents a truthful reproduction
and a tribute to the lighter side of American Jazz, with originally contributed
music, which does hold its ground perfectly. For the many enthusiasts, who
still love this kind of Jazz, this album is a true delight and an irrefutable
proof that "White Man Can Jump", especially if they are Polish.
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