Tomasz Stańko - trumpet
Jan Ptaszyn Wróblewski - saxophone
Jacek Bednarek - bass
Grzegorz Gierłowski - drums
and others
Polish Radio Jazz Archives Vol. 31
POLSKIE RADIO 2076
By Adam Baruch
This is the thirty-first installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland's most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The tracks presented here were recorded live in October 1966 during the ninth Jazz Jamboree Festival in Warsaw and are the third volume of a collection of tracks from that event.
The first four tracks present the
American violinist/vocalist Stuff Smith, accompanied by an ad hoc trio which
included Czech (at that time) pianist Jan Hammer, Swedish bassist Kurt Lindgren
and Italian drummer Franco Manzecchi. The quartet performs four standards and
the entire set is rather unimpressive to say the least. Smith died shortly
after this appearance and these ware among his last recordings.
The next track presents a quartet
led by Swedish trombonist Eje Thelin with French saxophonist Barney Wilen
(mistakenly listed as Wilen Barney), Swedish bassist Palle Danielsson
(misspelled as Danielsen) and American drummer Billie Brooks. The quartet
performs one lengthy (almost half an hour long) just about entirely improvised
piece of Free Jazz, which at the time was considered quite avant-garde, but portrays
the rapid development of European Jazz at the time, catching up with the Free
Jazz developments in the US.
The next track presents a quartet
co-led by two USSR Jazz musicians: guitarist Nicolai Gromin and saxophonist
Georgy Garanian, with bassists Adolf Satanowski and drummer Aleksander Goretkin
(all the Russian names are misspelled). The quartet performs one original
composition by Gromin, kept in the mainstream Jazz idiom.
The next and last and most
interesting track presents a Polish/Czech quintet comprising of trumpeter
Tomasz Stańko, saxophonist Jan Ptaszyn Wróblewski, pianist Jan Hammer, bassist
Jacek Bednarek and drummer Grzegorz Gierłowski. The quintet performs one
original composition by Stańko, brilliant and typical of the era, which is an
absolute cherry on top of the entire album and reflects the strength of the
Polish Jazz scene at the time.
The beautifully restored sound
quality is excellent and the warm ambience of the analog recording is a true
joy. As usual with this series, which is very reasonably priced, I miss the
presence of "in depth" liner notes/booklet, which should convey the
circumstances at which this music was recorded and its importance to the
development of Jazz in Poland.
Nevertheless this is an absolutely essential piece of Jazz history which every
Jazz fan will surely consider an absolute must.
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