Dawid Lubowicz - violin
Krzysztof Herdzin - piano, accordion, flute
Robert Kubiszyn - bass
Łukasz Żyta - drums
Inside
FUNDACJA ZBIGNIEWA SEIFERTA 5
By Adam Baruch
This is the eagerly awaited and
highly anticipated debut album as a leader by Polish Jazz violinist Dawid
Lubowicz, primarily known as a member of the Atom String Quartet. The music was
recorded in a quartet setting with pianist Krzysztof Herdzin (who also plays
flute and accordion), bassist Robert Kubiszyn and drummer Łukasz Żyta. Vocalist
Jacek Kotlarski and keyboardist Tomasz Kałwak guest each on one tune. The album
presents nine compositions, eight of which are originals by Lubowicz and one is
by Polish Classical composer Karol Szymanowski.
Musically the album is quite
surprising, especially in view of extensive recorded legacy Lubowicz created with
Atom String Quartet and other projects. The compositions are all exquisitely
melodic, melancholic and delicate, seemingly "simple" in their scope,
leaving the complexity to be expressed via the performance layer rather than
making the music less communicative. Such honesty and straightforwardness is an
extremely rare quality among Jazz composers these days, which mostly adhere to
the notion that music has to impress by its "cleverness" and "intricacy",
neglecting the "simple is beautiful" ideal, which Lubowicz is able to
bring to perfection herein.
Another significant aspect of
this music is its strong connection, almost umbilical, to Polish Folklore, and especially
to the music of the Polish Highlanders, which is of course native land of Lubowicz. The ties to folkloristic themes
are quite subtle at times and need a trained ear to be recognized, but they are
preset almost continually as part of the aesthetic climate this album offers. The
inclusion of the Szymanowski composition also refers to the composer's
fascination with the music of the Highlanders.
The decision to use Herdzin as
part of the team might seem surprising at first, as Herdzin is rarely used as a
sideman these days and his role is usually much more dominant. But in
retrospect Lubowicz made the ideal decision, as Herdzin has very few equals
when playing "pretty" is in order. He is a master of sweetness and romanticism
and his work on this album is simply perfect in every respect.
Kubiszyn is a Master and every
album he is on is blessed by his presence. His acoustic bass pulsations and
fretless solos are all breathtaking. Żyta is the metronome man, always ideally
on time and with the right intensity, even if he is playing just in a duet
setting with Lubowicz. Kalwak transforms the single tune he is on into a gleaming
magic pearl, full of sensitivity and intrinsic beauty, using his unique
"touch".
And Lubowicz? Oh well Lubowicz
is a Monster, a quiet, gentle Monster, mind you, but a true virtuoso, who plays
music rather than showing his chops, always elegant, stylish and graceful,
creating an irresistible urge to embrace everything that his vibrating strings
are able to create. Overall this is a most
impressive debut album and the only regret about it is that we had to wait for
it for so long. But now, that it is finally out there, don't hesitate and grab
it ASAP and I guarantee you won't regret it. The album is exquisitely packaged
and offers a superb sonic quality, which should make the decision to get a copy
even easier. The album was released by the
Zbigniew Seifert Foundation, run by the unwearied Aneta Norek, who deserves our
gratitude for keeping the Polish Jazz violin tradition flourishing.
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