Mikołaj Trzaska - alto saxophone, clarinet & bass clarinet
Olie Brice - double bass
Mark Sanders - drums
Inem Gortn
FMR 374
By Adam Baruch
This is the second album by the Riverloam Trio, which consists of Polish Improvised Music legend, saxophonist/clarinetists Mikołaj Trzaska and two British musicians from the same sphere: bassist Olie Brice and drummer Mark Sanders. The trio's live debut released a couple of years earlier (as a double LP – no CD release so far) was very warmly received at the time and this studio effort should solidify their reputation. The album consists of seven original compositions, all credited to the trio members.
With dozens of albums behind
him, it is increasingly difficult to describe each specific new project
involving Trzaska and remain open-minded and focused enough to pinpoint the
often subtle differences between the various parts of such an immense body of
work. However, from the very first notes on this album it becomes perfectly
clear that this is one of the most expressive and emotional settings that
Trzaska is involved with lately. His playing and improvising is simply
overwhelming and it is quite obvious that this happens due to the superb
rapport between him and the rhythm section, especially so with Brice, whose
arco work is simply stunning (nothing wrong with his pizzicato of course) and
their duets are the absolute highlights of this album.
Trzaska switches between the
saxophone, clarinet and bass clarinet, as he often does these days, to achieve
a different mood and power of expression. The rhythm section follows his lead
amicably, adjusting the volume and intensity of their performances to the lead
instrument, which is a sign of mutual respect and solidarity, which are
unfortunately often forgotten in the Improvised Music environment. Sanders, who
is a seasoned improviser, always finds just the proper percussive ambience to
support Trzaska and Brice and elegantly takes a step back when they get
involved in intimate duos.
Personally I think this is an
ideal Improvised Music album, which keeps the anarchy well in check, shows the
individual expressions of the musicians involved and glues them together to
create a whole greater than the sum of its ingredients. Emotionally and
artistically this is definitely one of the best albums Trzaska recorded in his
long and impressive career.
This music is also beautifully
recorded, with a perfect balance between the instruments and a wonderful room
ambience, which enables the listener to hear every little detail of the entire
sonic contents. Improvised Music recording sadly often suffer from poor
recording quality and this one is an example of how things should be done and
how important it is to be able to hear absolutely everything. All that remains is to thank
these wonderful Artists for their gift to us, mere mortals, who have the
privilege to enjoy this music. Well done indeed, gentlemen!
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