Rafał Rokicki - piano
Michał Kapczuk - double bass
Paweł Dobrowolski - drums
Chopin Revisited
ELLYAH 808114
By Adam Baruch
This is the second album by Polish Jazz pianist/composer Rafał Rokicki, recorded in a classic piano trio format with bassist Michał Kapczuk and drummer Paweł Dobrowolski. As the title suggests, the album presents seven compositions by Frederic Chopin, transformed into the Jazz setting.
Since Polish Jazz musicians "discovered"
the music of Chopin as a source of inspiration, more or less a couple of
decades ago, hundreds of Jazz albums with Chopin's music were recorded and
released in Poland
over time. Such multitude usually has some adverse effects, reaching a stage
when some people seeing a new album in that specific niche react with a:
"Please, not another Chopin Jazz album…". Not that God forbid we have
anything against Chopin or even Chopin Jazz, but what else can be said and done
after everybody who is anybody already tried to present their point of view on
the subject.
Therefore this album lands on a
most perilous ground, where it will be, willingly or unwillingly, compared to
all its predecessors placing it face to face with the best out there. Rokicki
and his cohorts should have thought about that and perhaps they did and said: "what
the heck, we'll try anyway…" Be as it may, unfortunately vis-a-vis the
best Chopin Jazz out there, this album simply does not compare well. Not that
there is anything badly wrong with it, it is simply not up to par with the
others.
The biggest problem with this album
is the liberty with which Rokicki approaches Chopin's music as an arranger. His
particular approach is to move away from the original, mostly simplifying, or
even worse trivializing the phenomenal original music. The result sounds
somewhat like a New Age doodling, which is meant not to bother anybody – more or
less the complete opposite of what Chopin's music is all about.
Now this music is pretty and
very well played. The rhythm section, with veteran and highly professional
players, does its job perfectly, but again mostly unobtrusively. Yes, the album
has its moments, and is rather well recorded, so not everything is lost. I
suppose enthusiasts of the easy Jazz will love this stuff to bits, but I'm not
sure is Chopin himself is so excited about this revisit?
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