Húrra – "In Search Of Waves"

Húrra

Skład zespołu:

Grzegorz Doroszenko – lider, gitara, aranżacje, kompozycje
Jakub Klimiuk – gitara
Jonas Kullhammar – saksofon tenorowy
Jakub Kurek – trąbka
Dominik Kisiel – klawisze
Wojciech Warmijak – perkusja
Paul Rutschka – bas

"In Search Of Waves"

Wydawca: V Records (2022)

Tekst: Mateusz Chorążewicz

Album "In Search of Waves" grupy Húrra, wydany w październiku 2022, przedstawia zaskakujące obrazy muzyczne, które odbiegają od wstępnych oczekiwań. Materiały prasowe wskazują, że lider zespołu, Grzegorz Doroszenko, czerpał inspirację z trzech lat spędzonych w Islandii, co sugerowałoby dźwięki pełne przestrzeni, surowości i nostalgii. Zamiast tego, otrzymujemy album pełen pulsującej energii, co w świecie fusion jest przyjemnym, choć nie nowatorskim zaskoczeniem dla ucha.

Kompozycje na płycie są złożone, wymykają się prostemu schematowi jazzowej narracji (temat -> solówki -> temat). Tutaj każdy utwór to mała opowieść, pełna zaskakujących zwrotów akcji i instrumentalnych dialogów. Momentami muzyka ta kojarzy się z brzmieniami EABS - niektórzy je uwielbią, inni niekoniecznie. Ja się zaliczam do pierwszej grupy.

Lider, Grzegorz Doroszenko, nie tylko komponuje, ale też aranżuje i gra na gitarze, serwując słuchaczom szeroki wachlarz efektów gitarowych. Udaje mu się osiągnąć bardzo interesujące brzmienia, wykraczające poza standardowe modyfikacje dźwiękowe tego instrumentu.

Jeżeli ktoś od perkusisty oczekuje spełnienia roli metronomu, który w razie potrzeby ratuje solistów czy wręcz cały zespół, Wojciech Warmijak zdecydowanie odbiega od tego stereotypu. Jego podejście do rytmu, fascynacja polimetrycznymi strukturami i innymi „rytmicznymi sztuczkami” czynią go pełnoprawnym uczestnikiem muzycznych dialogów. Perkusja Warmijaka nie służy jako ratunek dla zagubionych muzyków, lecz motywuje ich do większego skupienia i kreatywności.

Płyta, chociaż nie stawia na głowie polskiej sceny jazzowej, wyraźnie zaznacza swoją obecność i z pewnością znajdzie swoje miejsce w sercach miłośników gatunku, którzy cenią sobie fusion z niesztampowym podejściem. Nie jest to muzyka, która zmieni twoje życie, ale na pewno umili niejeden wieczór. Osobiście będę do niej wracał z przyjemnością.

Na koniec warto wspomnieć, że wykonawczo album stoi na bardzo wysokim poziomie. Wszystko jest na swoim miejscu, od produkcji po finalny miks, co w przypadku tak złożonej muzyki nie jest sprawą oczywistą.

Immortal Onion - XD (Experience Design) (2020)

Immortal Onion

Tomir Śpiołek - piano, synth
Ziemowit Klimek - moog, bass
Wojciech Warmijak - drums

XD (Experience Design)

U KNOW ME 079




By Adam Baruch

This is the third album by the Polish trio Immortal Onion comprising of keyboardist Tomir Śpiołek, bassist and moog player Ziemowit Klimek and drummer Wojciech Warmijak. The album presents eight tracks with the compositions uncredited (as usual) and assumed to be co-created by the trio members. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy Gruszecki and offers the usual wonderful sound quality.

The music follows closely the pattern initiated by the two earlier albums, creating an amalgam of instrumental Prog and Fusion, based on melodic sketches which are expanded into lengthy instrumental improvisations by the trio members. The sound and overall aura of this album is more electric, although the acoustic piano still dominates the proceedings.

The music is interesting and offers surprising arrangements, sudden tempi changes, volume dynamics, odd meters and excellent soling, which should keep the listener captivated, but all this starts to sound repetitive after a while and it is difficult to see where, if at all, it is going. There is no doubt that the trio managed to create a unique niche as far as their sound and approach are concerned, but they need to find some new paths to explore in their future recordings, since the first three albums are way to similar to each other and show no real progress.

Having said that, this album is still a solid listening experience for listeners who love Symphonic Prog and melodic Fusion, beautifully performed and offering a superb sound, which is more than most Prog/Fusion albums are able to offer these days.

Immortal Onion – Ocelot Of Salvation. Live In Sopot (2019)

Immortal Onion

Tomir Śpiołek - piano, electric piano
Ziemowit Klimek - bass, moog
Wojciech Warmijak - drums

Ocelot Of Salvation. Live In Sopot

PRIVATE EDITION


By Adam Baruch

This is the second album by the young Polish Jazz piano trio called Immortal Onion, which consists of pianist Tomir Śpiołek, bassist Ziemowit Klimek and drummer Wojciech Warmijak. The album was recorded live and presents the same eight compositions that appeared on the debut album and one bonus composition, which was released as a single before the debut. All the music is uncredited and is therefore assumed to be co-composed by all three musicians.

These live renditions of the material from the debut album, which was recorded more than a year before this album was recorded; are basically quite similar to the original and therefore one can wander if they justify another release, but that is of course up to the musicians. The instrumentation on this album is expanded by the use of electric piano in addition to the acoustic piano and the use of Moog by the bassist, in addition to acoustic and electric basses, which basically means that the clean, purely acoustic sound of the debut was extended to include electronics, which more or less reflects the general trend among the new generation of young Jazz players these days.

The music is already discussed in my review of the debut and there is not much I can add except of course that the Fusion and even Prog undercurrents of the music are even stronger and more explicit here. Overall this is quite unique music, which surely appeals to the younger generation of Jazz/Fusion listeners, and which offers ambitious music that easily defends its qualities in the live version, and builds up interest in new material and next album by the group. Definitely worth investigating!

Immortal Onion – Ocelot Of Salvation (2017)

Immortal Onion

Tomir Śpiołek - piano
Ziemowit Klimek - bass
Wojciech Warmijak - drums

Ocelot Of Salvation

REQUIEM 148




By Adam Baruch

This is the debut album by young Polish Jazz piano trio called Immortal Onion, which comprises of pianist Tomir Śpiołek, bassist Ziemowit Klimek and drummer Wojciech Warmijak. The album presents eight original compositions, which are not credited on the album's artwork.

The music is quite original and surprising, stylistically resembling the early work by the Progressive Rock legends Emerson, Lake & Palmer, i.e. Classically influenced melodic themes featuring improvisation, odd meters and a basic Rocky attitude, emphasized by the rhythm section (electric bass and energetic drums work). But the music is diverse and offers a very interesting and pleasurable listening experience. Although only marginally Jazz related, this music, like most Progressive Rock and Jazz-Rock Fusion is also of interest to most Jazz enthusiasts.

Although this album is based on the rich Progressive Rock legacy and other influences, it is not an attempt to copy or repeat these patterns but rather a courageous effort to innovate and develop. As such is deserves praise and attention as well as my worm recommendation to music lovers to seek out this little gem and give it a serious listen. Considering the young age of these musicians, one can only hope for more great music they will hopefully offer us in the future.

Overall this is an excellent debut offer which deserves to be heard. Kudos to the superb Polish label Requiem Records for consistently supporting music, which does not easily fit into established categories and supporting experimentation.