Tuesday, February 20, 2018

Mateusz Smoczyński – Metamorphoses (2017)

Mateusz Smoczyński

Mateusz Smoczyński - violin

Metamorphoses

ZBIGNIEW SEIFERT FOUNDATION 4





By Adam Baruch

This is the fourth album by Polish violinist/composer Mateusz Smoczyński and his debut solo violin recording. The album, recorded at the Krzysztof Penderecki European Centre for Music, presents thirteen compositions, four of which are parts of a violin sonata No.1, which gave the album its title. Smoczynski is the composer of eleven of these compositions, one composition is by his older brother Jan Smoczynski and one is by Mark Summer, the cellist and co-founder of the legendary Turtle Island Quartet. The closing piece of the album, called "Midnight Psalm", was inspired by the Zbigniew Seifert composition "Evening Psalm".

During the last decade Mateusz Smoczyński consistently paved his way to the top of the Polish violin scene, creating a remarkable collection of recordings as a leader, as a sideman and as member of the revered Atom String Quartet and winning the second edition of the Zbigniew Seifert International Jazz Violin Competition in 2016, an incredible achievement for a musician in his early thirties; all this on a scene which is bursting with talent and fierce competition.

This album is undoubtedly Smoczyński's most ambitious undertaking to date, both as a player and a composer. Moving away from the home base of the Jazz idiom, the music on this album is obviously much more related to the contemporary Classical idiom, although the improvisation is still an integral and important ingredient. The compositions also bear close relation to Polish Folklore and Classical Music, soaked in typical melancholy and lyricism, which characterizes most of Polish music.

From the very onset of the music Smoczyński's virtuosity becomes immediately apparent and the entire duration of the album is an ecstatic journey on the cascade of violin magic, which he manages to keep flowing relentlessly. Unrelated to the actual tempo of the compositions, the flow and energy is always there and the pure tones and clarity of every note are remarkable.

Although not a Jazz album per-se, this music should be of interest to a wide range of music lovers, obviously those who also love the violin. This music is demanding and requires attention and patience, but all great music puts forward similar challenges, and this one is no different. It will probably take several listening sessions to wholly comprehend the depth of this music, but the effort is definitely worth it! Wholeheartedly recommended!

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