Jorgos Skolias - vocals, electronics
Piotr Rachoń - piano
Free
V 014
By Adam Baruch
This is the debut album by
Polish duo comprising of vocalist Jorgos Skolias and pianist Piotr Rachoń. The
album presents ten original compositions, spontaneously created during the
recording session and credited to both participants, with the "lyrics"
credited to Skolias. The album was recorded at the Monochrom Studio and
engineered by Ignacy Gruszecki, with the expected superb sound quality.
From the very onset of the
music it becomes immediately obvious that this album is unlike anything one
might have come across before. As the album's title suggests, this music is
completely free from any preconceptions and genre limitations. Skolias and
Rachoń let themselves to be led by their respective instincts and the telepathic
rapport they manage to establish during the session's duration. They are
clearly listening to each other very carefully, and yet they take turns in pushing
the music from one plane to another, moving forward and backwards and sideways
constantly.
Despite the seemingly
directionless aura, the music is perfectly coherent and even
"organized" and "melodic" most of the time, certainly in
the abstract gist of these idioms. With Skolias using almost completely
unconventional vocal techniques, Rachoń sticks to almost conventional chords
and scales, keeping the overall result "in check", which helps to
avoid havoc and confusion. Both players are of course equally inventive at all
times.
Skolias uses his voice in a
multilayered and multidirectional manner, utilizing single words and phrases,
Multilanguage and gibberish, natural and distorted vocals and harmonized vocal
effects, screams and whispers, in short an amazing array of human-produced
natural and unnatural effects, which only he is capable of creating. Rachoń skillfully and incredibly sensibly manages to insert his piano sounds to
harmonize perfectly with the barrage of sounds produced by Skolias, creating a
symbiotic whole.
In fact describing this music
in words is an a priori futile effort, and listening to it is the only proper
way to treat it. Having said that, one must admit that this music is so
extraordinary and Avant-garde that it can be considered groundbreaking,
certainly as far as Improvised Vocal Music is concerned. The Giant Step taken by
Skolias from his Rock, Blues and Jazz roots towards this revolutionary modus
operandi is astonishing in its boldness and ingenuity. Although I have always
considered Skolias as a superbly talented and multifaceted artist, this time he
truly managed to knock my socks off! Hats off to you my Friend!
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