Satoko Fujii - piano
Lina Allemano - trumpet
Natsuki Tamura - trumpet
Richard Koch - trumpet
Gebhard Ullmann - tenor saxophone
Matthias Schubert - tenor saxophone
Paulina Owczarek - baritone saxophone
Paulina Owczarek - baritone saxophone
Matthias Müller - trombone
Jan Roder - bassMichael Griener - drums
Peter Orins - drums
Ninety-Nine Years
LIBRA 211-047
By Adam Baruch
This is an album by Japanese
pianist / composer / bandleader Satoko Fujii, one of the most prominent
representatives of the contemporary Avant-Garde Jazz activists. The album was
recorded with an eleven piece Orchestra Berlin,
one of Fujii's permanent ensembles, which features mostly German musicians, but
includes also her Japanese husband, trumpeter Natsuki Tamura, French drummer
Peter Orins and Polish saxophonist Paulina Owczarek. The album presents five
extended original orchestral compositions, all by Fujii and is one of the
twelve albums Fujii released in 2018 (one every month) to celebrate her 60th
Birthday. Her cumulating discography since 1991 includes well over a hundred
albums.
The music is everything
contemporary Avant-Garde Big Band has to offer: composed parts expanded into
lengthy improvised passages, several sub-ensembles constantly developing within
the frame of the Big Band (duos, trios, etc.) sublime individual soloing and
group improvisations and much more.
Fujii skillfully uses the entire arsenal at her disposal to continue the splendid tradition of European Avant-Garde Big Bands, which goes several decades into the past, initiated by the British Big Bands led by Barry Guy, Mike Westbrook and others and later European parallels like Globe Unity Orchestra and others. Since contemporary activity in this particular area is rather limited today, Fujii's recordings are even more important and significant.
Fujii skillfully uses the entire arsenal at her disposal to continue the splendid tradition of European Avant-Garde Big Bands, which goes several decades into the past, initiated by the British Big Bands led by Barry Guy, Mike Westbrook and others and later European parallels like Globe Unity Orchestra and others. Since contemporary activity in this particular area is rather limited today, Fujii's recordings are even more important and significant.
Of course Avant-Garde Jazz
never was music for the masses, and this intellectually challenging offering is
of interest to a sadly miniscule group of potential listeners, who are able to
appreciate and enjoy it. The faithful aficionados will find this music
absolutely stunning of course, which is hardly surprising. Wholeheartedly
recommended to the connoisseurs of the genre!
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