Ilona Damięcka - piano, vocal
Tomasz Licak - tenor saxophone, bass clarinet
Michał Jan Ciesielski - tenor saxophone
Paweł Grzesiuk - double bass
Adam Golicki - drums
PRIVATE EDITION
By Adam Baruch
This is the debut album by the
Polish Jazz quintet co-led by vocalist/pianist Ilona Damięcka and saxophonist
Tomasz Licak, which also includes saxophonist Michał Jan Ciesielski, bassist
Paweł Grzesiuk and drummer Adam Golicki. The album presents six songs by Polish
Classical composers: Stanisław Moniuszko, Feliks Nowowiejski and Mieczysław
Karlowicz, arranged for the quintet by Licak. The music was recorded live at
the Radio Gdańsk studio and offers a remarkable sound quality.
The music is an interesting
Jazz-Classical Fusion, and although personally I am not a great fun of the
original music, composed mostly in the 19th Century, these Jazz
arrangements manage to transform it into the Jazz idiom rather successfully. The
swinging treatment transforms the original melodies, many of which are based on
Polish Folklore, into a much more vigorous environment and the resulting modern
mainstream zest serves them well.
The ballads emphasize the typical Polish melancholy, again deeply rooted into Polish Folk music, and those also work out very well in the up-to-date dressing. The closing song on the album gets a much more adventurous treatment, and perhaps points to a direction of the follow up album? The entire transformation process is done with taste and sophistication, which deserves to be praised.
The ballads emphasize the typical Polish melancholy, again deeply rooted into Polish Folk music, and those also work out very well in the up-to-date dressing. The closing song on the album gets a much more adventurous treatment, and perhaps points to a direction of the follow up album? The entire transformation process is done with taste and sophistication, which deserves to be praised.
The members of the quintet are
all seasoned musicians, which is clearly obvious by the splendid level of the performances
herein. The idea of the double saxophone front line is excellent, but sadly although
the two saxophonists perform beautifully on their own they do not play together
enough, which might have intensified the result. Damięcka plays some wonderful
piano soli and her treatment of the original lyrics, which are replaced by her
vocalese, is also excellent, albeit somewhat minimalist. The rhythm section
swings passionately and carries the tunes forward, as expected from professionals.
Overall this is a superb debut
effort and a most enjoyable listening experience, which as the title pledges, is
just a first glance of the future plans by the quintet. Passionate
performances, great soloing and swinging fluidity - what else can one expect
form a mainstream modern Jazz album. Wholeheartedly recommended!
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