Włodek Gulgowski - keyboards
Beyond Infinity
SOLITON 689
By Adam Baruch
This is an album by veteran
Polish (resident in Sweden)
keyboardist/composer Włodek Gulgowski closely linked to the early Polish Jazz
scene, starting in Traditional Jazz and moving into modern Jazz in the 1960s and
later on into Fusion in 1970s. Since then Gulgowski was involved as composer,
arranger and player in many diverse activities ranging between Pop to Classical
Music, cinematic music, New Age and others. This album offers music composed
and performed by him using acoustic piano and multi-tracked synthesizers and
drum machines, presenting ten tracks, three of which are mini-suite like
triptychs, four are grouped into a collection and three are stand-alone pieces.
The music is pretty difficult
to categorize, as it flirts with many diverse music genres, often performing
chameleonic transformations within one piece. There are clear traces of Jazz,
as expected, but also a distinct Classical Music palette, mixed with New Age
hyper-melodic repetitions, Symphonic Progressive Rock reminiscences,
atmospheric Ambient vistas and finally Latin World-Music accents.
Gulgowski is undoubtedly a very
talented musician and composer, but listening to this music brings up
immediately a feeling of "too much, too late". Yes it is all very
pretty and it sounds great, but on the other hand it is sort of déjà vu
altogether. Having said that, many listeners will absolutely love this music,
as it is absolutely lovable. Overall this is a superbly and
cleverly crafted piece of music, which will make many listeners on the lighter
side of Jazz perfectly happy. And there is nothing wrong with this of course.
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