Piotr Mełech - clarinet, bass clarinet, live electronics
Marcin Albert Steczkowski - cornet, live electronics
Marcin Jadach - double bass
Michał Kasperek - drums
Melech Plays Gebirtig
MULTIKULTI MPT 015
By Adam Baruch
This is the debut album by Polish Free Jazz/Avant-Garde quartet Melech, which comprises of clarinetist/composer Piotr Mełech, trumpeter Marcin Steczkowski, bassist Marcin Jadach and drummer Michał Kasperek. The album presents six pieces, five of which were composed by the Polish/Jewish poet/songwriter Mordechai Gebirtig and one is an original composition credited to all four members of the quartet.
The album continues the interest
in Jewish music by the Polish Jazz Avant-Garde, which is one of the most
fascinating developments on the local scene since the turn of the Millennium. A
whole "New Jewish Music" scene developed in Poland, exploring the treasures of Jewish Music
and creating contemporary Jewish Music, despite the fact that there are almost
no members of the Jewish community left in Poland at the moment.
Gebirtig's legacy is one of the
most re-visited, which is no surprise considering the wealth, depth and
strength of his creations. Some of the treatments of his songs in the past
suffered from too many liberties, but this album is a wonderful example of just
the right way to respect the original music and take it forward to contemporary
avant-garde.
The quartet manages to preserve
the spirit of the music in spite of the radically changed musical environment
and the individual contributions by the quartet members fit the transposed
sounds ideally. Melech states the original melodies almost faithfully, before
those are picked up by the rest of the band and transformed, stretched and
re-composed in Free Form. The rhythm section is elevated to a full membership
within the quartet, adding its invaluable contributions. I wonder what would
Gebirtig say to these transformations, but considering his progressive intellectualism,
he would probably embrace them wholeheartedly.
Overall this album is a
wonderful example of preservation by modernization, where Culture is brought
forward to contemporary recipients in form and shape that bridge over time
barriers. It manages to stand by itself both as a contemporary work of art and
as a tribute to the past. Thanks to the talent of the musicians involved and
their respect towards the source of this music, their goal was achieved in
full. This is definitely one of the most successful tributes to Gebirtig's
legacy done within the Polish Jazz Avant-Garde. Wholeheartedly recommended!
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