Marek Kądziela - guitar, electronics, effects
Tomasz Dąbrowski - trumpet, microKORG
Kasper Tom Christiansen - drums
II
AUDIO CAVE 2020/004
By Adam Baruch
This is the second album by the Hunger Pangs trio, which comprises of Polish guitarist Marek Kądziela, Polish (resident in Denmark) trumpeter Tomasz Dąbrowski and Danish drummer Kasper Tom Christiansen. The album presents six original compositions, three by Kądziela, two by Christiansen and one by Dąbrowski. For reasons unknown to me, the album recorded four years earlier, is being released only now.
The music continues the direction
set by the trio's debut, which mixes composed themes with free (collective) improvisation
on one hand and Rock versus Free Jazz interactions on the other. The music is
often rather minimalist, with three distinct instrumental voices merged
together into one fabric. The individual parts are perfectly audible at all
times and the amalgam happens more in the listener's brain than actually within
the music.
All three musicians are strong
individual voices, each of them with impressive recorded legacy under the belt
in spite of their relative young age. Their work together is a typical example
of being more than just a sum of their individual contributions, and certainly
manages to be a fascinating listening experience throughout. As a big fan Dąbrowski, his
contributions usually draw my attention immediately and as usual he does not disappoint
here. His virtuosic trumpet parts are simply outstanding; both technically and emotionally,
and firmly assert his position as one of the leading European Jazz trumpeters of
the last decade.
It took me a while to
appreciate the talents of Kądziela, but hearing him perform live several times
in the last years broke the ice and convinced me as to his great talent as
well. He is a very unique and forward thinking player and composer, firmly
stuck in the proud legacy of the Rock idiom, but always taking his music beyond
the ordinary. He is certainly one of the most interesting guitar players in the
Polish scene at the moment.
Christiansen has also an
impressive recorded legacy, which proves his outstanding position as a drummer,
bandleader and for me especially as a composer. All his albums are superb
examples of contemporary European Jazz and his contributions here are all in
par with his usual excellence. Overall this album is every bit
as good as the debut and connoisseurs of contemporary Improvised Music/Avant-Garde Jazz should be perfectly happy with every note this album has to
offer.
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