Shishani Vranckx - vocals, guitar
Kristjan Randalu - piano
Phil Donkin - bass
Bodek Janke - drums, percussion
with
Bill Evans - saxophones
Gilad Hekselman - guitar
Sebastian Studnitzky - trumpet
Atom String Quartet
Song 2
PRIVATE EDITION 4260014871218
By Adam Baruch
This is an album by Polish
(resident in Berlin)
Jazz drummer/composer Bodek Janke recorded in an international quartet
setting with Namibian vocalist/guitarist Shishani Vranckx, Estonian pianist
Kristjan Randalu and British bassist Phil Donkin. The excellent Polish Atom
String Quartet provide the string parts and world class guests: American
saxophonist Bill Evans, Israeli guitarist Gilad Hekselman and German trumpeter
Sebastian Studnitzky appear on selected tracks. The album presents ten tracks,
five of which are originals (two by Janke and three by Vranckx) and the rest
are arrangements of Pop songs. As the title suggests, this album is a
continuation of its predecessor called "Song" released a couple of
years earlier.
Although basically a Jazz
album, the concept it presents is a mixture of inventive and ambitious
arrangements of well known Pop songs and original compositions, with the
emphasis on transforming the music into way more complex setting than its
origins. Not surprisingly, since the leader is a drummer, the most striking
feature of the music is a completely idiosyncratic rhythmic/polyrhythmic
approach, which takes the music into an entire new dimension.
The instrumental performances
by all the participants on this album are simply phenomenal. Bodek is the
rhythmic machine, which drives the entire ensemble, but the superb piano parts
and excellent support by the bassist create a most impressive ambience of
pulsating/vibrating musical unity, which sparks with originality. Vranckx
adds her warm and somewhat mystical vocals, which bring the depth of African
music into the proceedings. The guest stars add the proverbial cherry on top,
carefully trying not to steal the show and respectfully naturally expand the
ambience. The string arrangements deserve a special mention, not only because
they are brilliantly executed, which is hardly surprising, but mostly due to their
perfect fit to the core of the music, and not just an artificial ornamentation.
Overall this is a most unusual
and highly fascinating album, which requires repeated attentive listening
sessions in order to truly expose its hidden treasures. It offers strikingly
unusual arrangements and brilliant performances, full of aesthetic
sophistication and reflecting the best European Jazz has to offer. This music
should find a wide range of listeners, who are sure to enjoy its beauty, both
within the circles of Jazz connoisseurs and beyond. Wholeheartedly and highly
recommended!
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