Dawid Lipka - trumpet, jaw harp, electronics
Maciej Sadowski - double bass, electronics
Necrosofia
PRIVATE EDITION
By Adam Baruch
This is a spectacular debut album
by Polish Jazz duo behind the Gdańsk Necropolitan Orchestra moniker: trumpeter/composer Dawid Lipka and bassist/composer Maciej Sadowski. The album presents
eleven compositions/improvisations not credited specifically and therefore
assumed as co-created by the duo members. The albums artwork is very secretive
about the date and place of the recording, which offers an absolutely amazing
sound quality and a unique ambience of a large empty room/hall resonating and
creating wonderful overtones.
Although seemingly limited by
the scope of just two instruments, the music offers wonderful richness and
depth of musical ideas, amalgamating elements of Classical Baroque Music, Avant-Garde
Jazz, Chamber experiments and Ambient explorations, all perfectly matched
together forming a marvelously striking and condensed kaleidoscope of sounds
which penetrates the listener's soul directly. It matches perfectly the two
other albums released in 2019, which involve Sadowski and Lipka
("Murmurs" and "Jazz Dla Zwierząt"), both being among the
most interesting Polish Jazz albums released in that year. This album completes
an astounding "triptych" of rare quality and inventiveness.
Lipka's trumpet pyrotechnics
fondly remind the work of lamented Andrzej Przybielski, both on the sound and
emotional levels. Sadowski's arco work and heartbreaking melancholy are
absolutely dazzling. Together (and with the help of the hall's ambience and
some electronics) they are able to create an impressive wall of sound effect during
the crescendo moments, but their intimacy is no less effective during the
pianissimo passages. In fact the music they manage to create together is simply
unparalleled by anything else that happened on the Polish scene in 2019.
Overall this is nothing short
of a masterpiece, an amazing piece of music, which should be definitely
listened to together with the above mentioned two albums of the
"triptych". If the phrase "future of music" has any meaning
at all, this is as good a sample of it as one can hear here and now. I know, I
know… prophesy has been given to the fools.
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