Małgorzata Markiewicz - vocals
Nikola Kołodziejczyk - piano, keys
Maciej Szczyciński - bass
Michał Bryndal - drums
and others
Bring The Light
REQUIEM/LYDIAN 2020/7
By Adam Baruch
Although her career goes back
over two decades, this is finally the debut album by Polish vocalist Małgorzata
Markiewicz. It was recorded with the vocals supported by a basic trio
consisting of keyboardist Nikola Kołodziejczyk, bass guitarist Maciej
Szczyciński and drummer Michał Bryndal. In addition a string quartet, which is
3/4 of the Atom String Quartet (violinist Dawid Lubowicz, violist Michał Zaborski (Małgorzata's husband) and cellist Krzysztof Lenczowski) and violinist
Marta Zalewska takes part in the recording as well as eight other musicians
playing/singing on selected tracks.
The album presents twelve original songs, nine of which were composed by Markiewicz (two co-composed with others) and three were composed by Gabriela Kapczuk. She also wrote three of the lyrics and co-wrote one with the rest being by different authors. Six of the songs feature lyrics in Polish language and the other six feature lyrics in English. The album is elegantly packaged and offers the lyrics, arty photographs and stylish design.
The album presents twelve original songs, nine of which were composed by Markiewicz (two co-composed with others) and three were composed by Gabriela Kapczuk. She also wrote three of the lyrics and co-wrote one with the rest being by different authors. Six of the songs feature lyrics in Polish language and the other six feature lyrics in English. The album is elegantly packaged and offers the lyrics, arty photographs and stylish design.
The songs are all typical
contemporary Polish Pop, very melodic and solidly written but slightly samey. The
album offers a modern production and sound, which I personally don't appreciate
very much. But the instrumental arrangements, with just a tinge of Jazz here
and there, and the playing / singing are absolutely perfect and professional.
If not for the Polish lyrics, this album might have been mistaken for an American
album, which proves that the Poles can beat the Americans at their own Smooth Jazz
production game, but as such does not offer much originality.
With that said, Markiewicz
proves she can write great tunes and sing them with true feeling, even in
English, which most of her local vocal colleagues fail at badly. It is obvious
that a lot of thought and work was invested into creating this album and the
result is highly entertaining and offers a great listening experience, which
Pop and Smooth Jazz listeners should enjoy immensely. Overall this is an excellently
produced and beautifully performed album, full of great tunes and typical
Smooth Jazz feel, which should make aficionados of that genre perfectly happy.
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