Tomasz Wielechowski - piano, synth
Maciej Zwierzchowski - saxophones
Rafał Błaszczak - guitar
Jacek Szabrański - guitar
Piotr Łukaszewski - guitar
Karolina Rec - cello
Maciej Szczepański - bass
Sebastian Witkowski - dub, electronics
Michał Kaczorek - drums
Niechęć
WYTWÓRNIA KRAJOWA 12
By Adam Baruch
This is the second album by Polish ensemble Niechęć, which comprises of saxophonist Maciej Zwierzchowski, guitarist Rafał Błaszczak, keyboardist Tomasz Wielechowski, bassist Maciej Szczepański (who replaces the bassist who played on the debut album) and drummer Michał Kaczorek. The album presents eight original instrumental pieces, composed four each by Zwierzchowski and Wielechowski.
Stylistically the music
continues the direction offered by the debut, which is an amalgam of many
different sub-genres, and moves between Jazz-Rock Fusion, Electronic &
Ambient, Alternative Rock, etc. but manages to avoid being placed in a narrow
niche and proposes a unique path. Less dominated by the saxophone front line
than the debut, this album allows the other members of the ensemble to make
their own statements as well, especially the keyboards.
Although perhaps less
surprising (obviously) than the debut album, which was truly shocking, this one
offers a more mature, developed material, which captivates the listener with
its hypnotic repetitive riffs and dark sound. The Free Form saxophone parts are
the most fascinating expressions of the album, but those are kept in check, balanced
my melancholic melody lines. The extreme dynamics this album proposes, from
soft subdued passages to fierce instrumental screams is the most distinctive
feature of this music.
Whichever way one wants to look
at Niechęć as a group and this album as their statement, it is obvious they are
definitely one of the most interesting young Polish groups on the scene, with this
album sealing their position securely. Hopefully they will get international
recognition soon, as they deserve it by all means. Their live show, which sadly
I have still not had the pleasure to attend, should be a most vibrant
experience. There's nothing left for me to
do other than recommend this album wholeheartedly, hoping the listeners won't
miss this splendid opportunity to discover fascinating and highly original
music, which happens rarely these days. Well done!
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