Maciej Tubis - piano
Paweł Puszczało - bass
Przemysław Pacan - drums
Flashback
AUDIO CAVE 2018/010
By Adam Baruch
This is the third album by Polish Jazz piano trio called Tubis Trio led by pianist/composer Maciej Tubis with bassist Paweł Puszczało and drummer Przemysław Pacan. The album presents eight original compositions, all by the leader.
The music is deeply melodic and
often melancholic, strongly related to the typical Polish harmonics, soaked in
Polish musical heritage, but also touching upon serial music and minimalism. It
floats somewhere between popular instrumental music, contemporary Classical Music
and Jazz, but escapes clear stylistic or genre classification. However the
music does have a coherent compositional language and approach, definitely more
precisely defined than on the earlier albums by Tubis, which means that he
reached herein his maturity as a composer.
This album also marks the position
of the trio as a close musical unit, way more prominently than on the earlier
recordings, which were dominated by the piano parts. On this album the music
features the piano and the rhythm section side by side as equal partners. Although
the melodic content is obviously stated by the piano, the bass and the drums
are clearly present all along the way, recorded on the same level and being
inseparable from the piano parts.
Although the music is only somewhat
related to Jazz, being intrinsically quite distant from the mainstream Jazz
idiom, the Jazz listeners are probably the most immediate audience, to which
this music should speak straightforwardly. But of course any open-minded and
sensitive music lover should be able to enjoy it to the max. In spite of its seemingly
easy nature, this music requires serious and attentive listening and a lot of
patience, as it utilizes nontrivial harmonic structures and odd meters, quirky tempo
alterations and other compositional tricks of the trade.
Overall this is by far the most
interesting offering by Tubis to date, a mature, coherent piece of music, which
clearly presents him and his cohorts as a slick musical unit and offers his
compositional vision in full bloom. Warmly recommended!
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