Darek Oleszkiewicz - bass
Sebastian Frankiewicz - drums
PIANOART 5907760035028
By Adam Baruch
This is the fourth album as a leader by Polish Jazz pianist / composer Artur Dutkiewicz, recorded in a classic Jazz piano trio setting with bassist Darek Oleszkiewicz (bassist Daniel Biel plays on three tracks) and drummer Sebastian Frankiewicz as his partners. The music, as the title suggests, is a tribute to the legendary American guitarist / songwriter Jimi Hendrix and presents nine instrumental arrangements of songs from his repertoire, seven of them composed by Hendrix and two composed by others. The album was recorded at the excellent Studio Tokarnia and was engineered by Jan Smoczynski with spectacular sonic results.
This album was recorded at the
same sessions which produced the previous album by Dutkiewicz, called "Niemen
Improwizacje", which pays tribute to the music of Czeslaw Niemen, the
legendary Godfather of Polish Pop / Rock. Therefore these two albums share not
only the recording dates but also basically the same musical concept, i.e. the
transformation of Pop / Rock music into the mainstream Jazz environment.
Of course the music of Hendrix,
who was a major Rock star with a worldwide following, was already arranged and
performed by many Jazz artists earlier, with varying results, some absolutely
spectacular and other utterly worthless. Although seemingly words apart, Niemen and Hendrix shared one obvious characteristic: their
deep affinity to the Blues, which Dutkiewicz cleverly exploits on both these
albums, and uses this opportunity to highlight his own Blues chops.
The fact that these two albums
were recorded basically together and present a common concept obviously
"asks for" a comparison, which I'd rather avoid, but unfortunately
that is quite impossible. Personally this album works slightly less effectively
for me than its companion, which probably has nothing to do with the music but
my own perception of the music Hendrix created and I was fortunate to hear live
on several occasions. I seem to be unable to free myself from the stunning
guitar sound which my memory / brain stores under the Hendrix pointer. This
music played by a piano, however well, simply does not cut it for me as well as
it should.
But of course this album shares
many of the same beautiful qualities present on its companion: great
performances, intelligent arrangements, wonderful interplay between the trio
members and so on. It is a great piano trio album in every respect and an admirable
tribute to the Genius of Hendrix. Obviously Jazz connoisseurs all over the
globe should be able to enjoy this music without reservation.
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