Artur Majewski - trumpet, cornet
Rafal Mazur - acoustic bass guitar
Kuba Suchar - drums, percussion, kalimba, megaphone
CLEAN FEED 285
By Adam Baruch
This is the debut album by the Improvising Music quartet, which consists of German saxophonist Anna Kaluza and three Polish musicians: trumpeter Artur Majewski, acoustic bass guitarist Rafal Mazur and drummer Kuba Suchar. Majewski and Suchar are or course known as the excellent duo Mikrokolektyw and Suchar is a member of the TRC Trio. The album presents five extended improvisations, credited to all quartet members and was released by the excellent Portuguese Clean Feed label.
The music is a great example of
the vitality of the Polish / European Improvising Music scene, which is
enjoying a tremendous Renaissance and involves a new generation of players and
enthusiasts. These four musicians are among the most innovative and interesting
representatives of the genre and have been already recognized internationally
as important creative forces. Listening to this album clearly shows why they
deserve such recognition.
Although improvised, the music
presents a diverse stylistic collage of sound vistas, from minimalistic and
delicate breathing tones to expressive collective forceful statements. Most of
the sounds and tones heard on this album are quite remote from what one would
expect from the conventional usage of the instruments involved, and yet they
somehow make all perfect sense and create a wonderful amalgam, which is
obviously unlike almost anything heard before. In most cases the quartet
members produce a series of rapid staccato sounds, which then are all
intermixed into one sonic whole.
In contrast to most
"conventional" music, which once stated becomes unwavering in
consequent listening encounters, this music is constantly alive and
chameleonic, changing each time one listens to it. That elusiveness and
constant ability to be transformed is of course what makes this music so
fascinating.
Obviously this is definitely
not something for a casual listener and its overall accessibility is limited to
connoisseurs of the genre, but as such, it is unquestionably one of its finest
exhibits.
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