Wlodek Gulgowski - piano
Tadeusz Wojcik - bass
Czeslaw Bartkowski - drums
and others
POLSKIE RADIO 1663
By Adam Baruch
This is the thirteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland's most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The material collected here presents
a second volume of recordings made in 1963 during the sixth Jazz Jamboree
festival in Warsaw.
It starts with two lengthy tracks, both treatments of classic Jazz standards,
by the legendary American saxophonist Johnny Griffin and his quartet. Prior to
this recordings Griffin, like many of his
Afro-American colleagues, moved to Europe,
where Jazz was experiencing an explosive development and was considered an Art
Form and racial discrimination was almost completely absent. The quartet
includes fellow American pianist Kenny Drew, who settled in Europe
a couple of years earlier, Dutch guitarist Wim Overgaauw and Dutch bassist Ruud
Jacobs. Followers of this series are of course aware of the fact that the
eleventh volume already presents a double CD with material recorded by Griffin at the same
festival with the same musicians. Personally I'd have preferred to have that
release expanded into a triple CD set and have all the Griffin sessions together, but I'm not the
series' editor.
Next come three tracks by the
Danish trumpeter Allan Botschinsky and his quintet with American born
saxophonist Ray Pitts, who moved to Denmark in 1962, pianist Atti Bjoern (name
most probably miss spelt), bassist Benny Nielsen and American drummer Robert
Joseph (real name Robert Joseph Durham or Bobby Durham as he was known to all –
Polskie Radio should have known this, especially since I already made this
comment / correction on the a.m. Griffin album – please read people! The music
is all original and includes two compositions by Pitts and one by Botschinsky. It
is typical bee bop, well played, especially by the leader who was a first rate trumpeter,
but not extraordinary in any sense.
The two tracks closing the
album are the most interesting for the Polish Jazz fans and they present the
Zbigniew Namyslowski quartet with pianist Wlodek Gulgowski, bassist Tadeusz
Wojcik and drummer Czeslaw Bartkowski, the same quartet that would record
several months later in Britain
the legendary album "Lola", the first significant exposure of Polish
Jazz behind the Iron Curtain. Both are original compositions by Namyslowski,
the first would be the title track of the British LP and the second seems to be
the only appearance of this composition on record. These are the initial steps
of the first golden decade of Polish Jazz, and as such their documentation is
priceless, as is the music.
The beautifully restored sound
quality is excellent and the warm ambience of the analog recording is a true
joy. As usual with this series, which is very reasonably priced, I miss the
presence of "in depth" liner notes / booklet, which should convey the
circumstances at which this music was recorded and its importance to the
development of Jazz in Poland.
Nevertheless this is an absolutely essential piece of Jazz history which every
Jazz fan will surely consider an absolute must.
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