Piotr Mełech - clarinets, electronics
Jacek Mazurkiewicz - bass, electronics
Vasco Trilla - drums
Brain/Dog/Hum
MULTIKULTI MPI 047/048/049
By Adam Baruch
Jacek Mazurkiewicz - bass, electronics
Vasco Trilla - drums
Brain/Dog/Hum
MULTIKULTI MPI 047/048/049
By Adam Baruch
Released as three separate CDs,
this is obviously a unified release documenting live performances by the
Improvised Music/Avant-Garde Jazz trio comprising of Polish clarinetist Piotr
Mełech, bassist Jacek Mazurkiewicz and Spanish drummer Vasco Trilla, recorded
in February 2016 at three clubs in different cities in Poland. Guitarist
Damian Pielka takes part on one track. The albums present four / five / two
improvised tracks respectively, all obviously credited to the three members of
the trio.
Although all the three concerts
were recorded by the same trio within one week, the music on the separate CDs
differs significantly, presenting completely diverse facets of the trio's
possibilities. Improvised Music is of course created in the spur of the moment
and such diversity speaks highly of the abilities of the trio both on the
individual and ensemble levels.
Listeners familiar with the
European Improvised Music scene are obviously already familiar with the names
of these musicians, since they all performed and recorded prolifically in the
last decade and are considered as some of the most interesting representatives
of the genre.
Since both Mełech and
Mazurkiewicz employ electronics on regular basis, the music on these albums
depicts the polarity between purely acoustic and almost completely electronic
music, with everything in between. It seems that the usage of electronics
opened up the possibilities, both of the contemporary modern European Jazz and
the more adventurous Free Jazz/Avant-Garde scene, which embraced electronics
as an integral part of the accessible instrumental palette, a trend growing
stronger towards the end of the decade.
The reception of this music is
of course highly individual, but I found all thee albums to be highly
interesting and absorbing, and the diversity of the music is a strong incentive
to try and listen to the whole set in one go. But of course it is also entirely
possible to listen to them separately. Overall this is a great
document of the live concerts, which stand on its own in the recorded version
and offers challenging, but highly aesthetic listening experience. Highly
recommended to all Improvised Music enthusiasts!
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