Włodzimierz Nahorny - piano
Mariusz Bogdanowicz - bass
Piotr Biskupski - drums
Hope
CONFITEOR 008
By Adam Baruch
This is a wonderful piano trio album by one of the Godfathers of Polish Jazz, pianist/composer Wlodzimierz Nahorny, and his partners: bassist Mariusz Bogdanowicz and drummer Piotr Biskupski. The album presents six original compositions by Nahorny and one mini-suite, which comprises of three folklore motifs arranged by him. In the accompanying booklet Nahorny tells the listener about the circumstances that brought each of these seven pieces of music to be created, as well as his deeply personal and moving memories of the panoramic view of the Holy City of Jerusalem, which always leaves a lasting impression on those who visit it. How blessed are we, who live nearby and are able to enjoy this breathtaking view more often than others.
It is
truly invigorating to see (and hear) a musician, who seems to be completely
unaffected by the tides of time and keeps bursting with ingenuity and talent
despite his age. This album proves beyond any doubt that Nahorny is still a
musician who is able to innovate and surprise even the strictest connoisseurs.
His music is as beautiful as always with melodies full of romanticism and
typical Polish melancholy, which he masterly and continuously molds into new
musical jewels. His piano playing is nothing short of sensational with an
astonishing level of space and freedom, which often bring fond memories of the
early days of his career when he flirted with free form.
All the
compositions on this album are quite remarkable. Although they are stylistically
diverse and encompass many different Jazz sub-genres, they are all marked by
Nahorny's personal touch, which has been his trademark since many years. The
music is fresh and stimulating, fitting perfectly in the contemporary Polish
Jazz scene, bursting with excitement and creativity.
The
faithful rhythm section stands besides the Master at all times, providing the
guidelines for his extended improvisations and ornamenting his performances
with occasional short solos. Bogdanowicz and Biskupski are both veterans of the
trade and they know exactly what is required of them under these circumstances:
supporting the leader and not being obtrusive in any way. The many years that
these musicians play together turns them into a well oiled unit, which is able
to travel anywhere without a hitch.
Nahorny
is a perfect representative of the Polish "old class" in the best
positive meaning of that idiom. A Gentleman, an Artist and an Intellectual
incorporated into one wonderful, warm person. Such class is very rare these
days and therefore a figure like Nahorny is important as an example to be
followed by the young generation, which definitely has the talent but sadly
almost never such class. Thank you Maestro!
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