Lora Szafran - vocals
Włodzimierz Nahorny - piano
Mariusz Bogdanowicz - bass
Piotr Biskupski - drums
Spiewnik Nahornego
CONFITEOR 004
By Adam Baruch
Polish Jazz vocalist Lora Szafran is active on the local scene since the mid 1980s, when she graduated from the Katowice Music Academy. She sings Jazz but is also active on the mainstream Polish popular music market. This is her sixth album as a leader and it is dedicated to songs composed by the legendary Polish Jazz pianist/saxophonist/composer Włodzimierz Nahorny, who is also known as the author of popular evergreens. The album includes twelve songs composed by Nahorny, with lyrics (in Polish) by some of top Polish lyricists. Szafran is accompanied by a trio which includes Nahorny on piano with bassist Mariusz Bogdanowicz and drummer Piotr Biskupski and a string sextet, with string arrangements by Andrzej Jagodziński and Krzysztof Herdzin.
The album is kept in the
classic mainstream Jazz tradition, performed spotlessly and with flair by all
participants. Nahorny's music is timeless and remains fresh and beautiful in
complete disregard of passing fads and fashions. His compositions are as good
as any American standards. The intelligent lyrics are a painful remainder that
song's lyrics are supposed to tell a story in an intelligent way, as they do
here in complete contrast to today's monstrosities called songs.
Szafran sings perfectly and
superbly, with her charming mannerisms and vocal tricks, which she manages to
use as effectively as always. She is able to pronounce every word clearly and
accurately, with feeling and obvious sentiment to the context, an art that
seems to be lost completely these days. Her warm and round voice and
professional finesse are irresistible. The interplay between her and the trio
is always impeccable, which turns the entire recording into a musical love
affair. Nahorny and the rhythm section are of course a living example of
knights in shining armor.
This is an "old
fashioned" album, but in spite of that often misused classification it
sounds fresh and alive in spite of its delicacy, fragility and sophistication.
I must be old fashioned myself, as this stuff simply melts my heart.
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