Zbigniew Lewandowski - Zbigniew Lewandowski (2020)

Zbigniew Lewandowski

Andrzej Przybielski - trumpet
Piotr Baron - saxophone
Andrzej Olejniczak - saxophone
Paweł Ścierański - guitar
Krzysztof Ścierański - bass guitar
Mieczysław Jurecki - bass guitar
Jose Torres - percussion
Zbigniew Lewandowski - drums, synth

Zbigniew Lewandowski

GAD 121

By Adam Baruch

This is a reissue of the debut album by Polish Jazz drummer / composer / bandleader Zbigniew Lewandowski, originally released on the legendary Poljazz label. The music was recorded in 1983 during two sessions separated by several months, with two lineups. The first lineup was a quintet which included alongside Lewandowski also iconic trumpeter Andrzej Przybielski, saxophonist Piotr Baron, guitarist Paweł Ścierański and bass guitarist Krzysztof Ścierański. The second lineup was extended to an octet and included also saxophonist Andrzej Olejniczak, second bass guitarist Mieczysław Jurecki and percussionist Jose Torres. The original LP presented six tracks but this remastered edition was expanded by two additional tracks from the first session, previously unissued. All the compositions were by the musicians participating in the recording except for one standard.

The music, influenced by the revolutionary work of Miles Davis, has a distinct Fusion tinge, but is very far from an attempt to copy the great Master. Przybielski, aged thirty-nine at the time of the recording, was already Poland's most idiosyncratic Jazz musician and trumpet Genius. He displays the full range of his abilities, and the fact that the music is Fusion oriented, offers a rare opportunity to hear him in that specific idiom, rather than within his "usual" Avant-Garde environment. His performances on this album are amongst the most extensive documents of his playing, including his weird sense of humor. In retrospect this album emphasizes the devastating loss Polish Jazz suffered with his untimely death in 2011. I had the immense luck and pleasure to produce the album "The Book Of Job", just a couple of years after this recording was made, which also featured Przybielski at his absolute best.

Baron, only twenty-two years old at the time, also contributes wonderfully to the album's overall ambience, offering his compositions, most of the arrangements and excellent soloing. The rest of the players were already more experienced and their professionalism and obvious talents are clearly evident in the resulting music. Overall this is a momentous recording, perhaps one of the most important Polish Jazz albums from the 1980s, and beyond. Polish Jazz/Fusion fans should be grateful to GAD Records for resurrecting this gem and saving it from oblivion. Brilliant stuff!

Laboratorium – Anthology 1971-1988 (2006)

Janusz Grzywacz - keyboards, leader
Marek Stryszowski - saxophone, vocals
Pawel Scieranski - guitar
Krzysztof Scieranski - bass
Mieczyslaw Gorka - drums
Ryszard Styla - guitar
Krzysztof Olesinski - bass
Andrzej Mrowiec - drums
Jan Pilch - percussion

METAL MIND BOX 001

By Adam Baruch

This box set compiles all the albums released by the Polish Jazz-Rock Fusion ensemble Laboratorium, which was without a shadow of a doubt one of the best and most important Fusion outfits in Eastern Europe before the fall of the Iron Curtain. Over the years the band managed to release ten albums, an unprecedented achievement at the time, of which seven were studio recordings, two were recorded live and the last one was a compilation of previously unreleased tracks. Two of the studio albums were released on the legendary Polish Jazz Series (Volumes 49 and 58). All the ten albums were remastered for this box set release and expanded with a plethora of bonus tracks, which include studio outtakes, radio and live performances and mini-sleeved. The booklet includes a detail history of the band and reflections about the albums by the band's founder / leader keyboardist / composer Janusz Grzywacz.

As all ensembles Laboratorium changed lineups over the years, but enjoyed relatively steady personnel for extended periods of time, which undoubtedly added to their success. Most of their material, which is covered by their second to sixth albums (and the compilation album), was recorded by a steady lineup, which included in addition to the leader also saxophonist / vocalist Marek Stryszowski, guitarist Pawel Scieranski, bassist Krzysztof Scieranski and drummer Mieczyslaw Gorka. On the later albums the lineup includes Grzywacz and Stryszowski (who are the only musicians appearing on all the ten albums) with guitarist Ryszard Styla, bassist Krzysztof Olesinski, drummer Andrzej Mrowiec and percussionist Jan Pilch. The debut recording, which initially occupied only one side of an LP, features the legendary Polish violinist Zbigniew Seifert and is stylistically quite close to Free Jazz in contrast to the Fusion direction adopted later.

The band performed only original music, which of course was a courageous decision, and with a singular exception, all the music enclosed herein was composed by Laboratorium members, mostly by the leader but also by others or co-composed by the band. Over the years Grzywacz emerged as a first rate tune-weaver with an excellent ability to write great melodies and riffs, which make the music accessible, even when it becomes quite complex. The music remains intelligent and ambitious throughout, with a remarkable consistency of high-level quality. But the most important factor of Laboratorium was its ability to constantly evolve and change, which is quite evident to anybody listening to the music in the proper historic order. Grzywacz slowly moved from acoustic to electric piano and then to synthesizers, but never indulged in mindless pyrotechnics which so many of his colleague keyboardists fell victim to during that period of time. Laboratorium managed to avoid that terrible, obnoxious 1980s cheesy synthesizer sound, which is a success in itself.

Although most of the music performed by Laboratorium is instrumental, they used the human voice time and again in an instrumental capacity. These vocalese experiments are all quite interesting and present another layer of the band's musical range. It seems that Polish Jazz is particularly fond of such experimentation since its early days and it's definitely interesting to hear how Laboratorium handled them.

There are endless moments of musical joy inside this box set; virtuosic performances by the musicians, especially those by Krzysztof Scieranski, who stands easily shoulder to shoulder with such bass heroes as Jaco Pastorius, beautiful melodies, funky grooves, superb guitar and keyboards solos, in short Fusion heaven for all connoisseurs of the genre. I can't imagine any Fusion fan anywhere on this planet not being melted away by the beauty of this music.

The box set is an individually numbered limited edition and if you can put your hands on a copy, don't you dare to hesitate even for a moment – it's worth its weight in gold!

Laboratorium - Zdrowie na budowie (2006)

Laboratorium (band)

Janusz Grzywacz / piano, Fender Rhodes, Arp Odyssey synthesiser
Marek Stryszowski / vocal, alto sax, soprano sax
Paweł Ścierański / guitar
Krzysztof Ścierański / bass guitar
Mieczysław Górka / drums
Wacław Łoziński - flute (11, 12)
Maciej Górski - bass (11, 12)

Zdrowie na budowie (2006)

Laboratorium is legendary band in Polish Jazz and by no accident. In terms of moulding together pop, rock, funk and jazz influences it outpaced all other bands in Poland by light years. Listening to their music is as travel in time when all of sudden one finds itself back in 70ties. Great period generally for Polish culture if not somewhat surprisingly especially when taking into account that it was not then fully independent and democratic country. This travel is made possible by this astonishing disc which issued in 2006 comprises previously unreleased material recorded between 1974-78. Its quality is absolutely stellar! All is perfect here: musicians, tunes, mood. It swings, it rock, it rolls. Like hell! And regardless of years passing... Wholeheartadly recommended!

Tracklisting:
1. Zdrowie na budowie (8:05)
2. Północna samotnia (4:44)
3. Cichy kącik (4:29)
4. Dove (4:40)
5. Brzózka (2:24)
6. Za piętnastą górą (5:30)
7. My z Julkiem (3:06)
8. Madonna z Poręby (7:28)
9. Długie zimowe wieczory (6:05)
10. Złota rybka i lustereczko (6:12)
11. Nowe szaty króla (4:33)
12. Lolokuki (5:18)
13. Euschaustor (6:22)

By Maciej Nowotny
http://kochamjazz.blox.pl

Laboratorium – Quasimodo (Polish Jazz Vol.58, 1979)

Laboratorium (band)

Janusz Grzywacz – Acoustic Piano, Rhodes Piano, Arp Oddessey
Marek Stryszowski – Vocalm Vocal by "Space Chorus Rolland" Alto Sax, Soprano Sax
Pawel Scieranski – Acoustic Guitar, Electric Guitar
Krzysztof Scieranski – Bass Guitar
Mieczyslaw Gorka – Drums, Percussion

Quasimodo (Polish Jazz Vol.58)

This is the 2nd album by Polish Jazz-Rock Fusion ensemble Laboratorium, which was one of several great Polish bands (like Extra Ball for example) playing in that vein during the 1970s. Founded by keyboardist Janusz Grzywacz, the band's founding members included also saxophonist / vocalist Marek Stryszowski and drummer Mieczyslaw Gorka. After an initial period of trying to find a musical identity, the band was joined by brothers Pawel Scieranski on guitar and Krzysztof Scieranski on bass (one of the greatest Polish bass players) and settled into the Fusion genre, with a musical approach and sound not far away from Weather Report. This, their second recording, presents them in their full power and the recording is quite stunning in its sophistication and instrumental aptitude. The music includes pieces composed by all members of the group. As opposed to most American Fusion at the time, which was mostly based on simplistic melodies and endless instrumental doodling, this music is atmospheric, intelligent, sophisticated, well developed and coherent, clearly well rooted in the European musical tradition. Fusion fans are well advised to try this out and explore this wonderful music, which is expanding the genre's limitations to the max. This music will also interest fans Prog fans, as it is close in spirit to the Canterbury genre. Superb stuff!

Track listing: A1 – Przejazd / The Journey; I'm Sorry, I'm Not The Driver; A2 – Etiudka / Little Etude Sniegowa Panienenka / The Snow Girl; A3 – Lady Rolland; B1 – Quasimodo; B2 – Kyokushinkai; B3 – Ikona / An Icon – in memory of Zbigniew Seifert

By Adam Baruch

http://adambaruch.com/

Laboratorium - Modern Pentathlon (Polskie Nagrania, 1976)

Laboratorium (band)
Janusz Grzywacz - Fender piano, piano, synthesizer Rolland 2000

Krzysztof Ścierański - bass guitar
Mieczysław Górka - drums, percussion
Paweł Ścierański - electric guitar, acoustic guitar
Marek Stryszowski - vocals, alto saxophone, bass clarinet

Modern Pentathlon (Polskie Nagrania, 1976)

A few years ago there appeared, in the series “Polish Jazz”, a record of the Laboratory band. On that occasion, while introducing the group and discussion their music, I ventured the opinion that the young Cracow musicians were the future of Polish jazz. Since the release of their “Modern Pentathlon” this prediction has proved right. Today the Laboratory are not longer future but present time of jazz in Poland. The Laboratory are in many respects and unusual group indeed. Having for many years worked in the quietness of Cracow, while retaining the same line-up and without the temptation or treat of immediate success – they managed to overcome the threshold of art and that of popularity. As for art – they worked out their own, original jazz-rock idiom, adding to their tonal imagination, a liking for complicated rhythmic figurations, a tendency to extend and diversify the form, etc. As for their standing in society – they have become probably the most popular Polish jazz group. The Laboratory has been playing very much indeed, taking part in major festivals, making world concert tours, making recordings. And increasingly now – be it at the international Jazz Yatra Festival in Bombay, or in Quasimodo club in West Berlin, or in small hall at the student club somewhere in Poland – the jazz-lovers do recognize the very special sound of that Cracow group. The music which is so concentrated, carefully thought out, full of nuances and with all this very much alive, filled with individualities of five musicians who concealed their solo ambitions, as well their names, under the name of the Laboratory. (All text by Jan Poprawa from original line notes from the album's back cover, translation by L. Wewiorkowski)

Check tune "Crazy Shepherd" from this album: 

Author of text: Jan Poprawa

Krzysztof Scieranski – Bass Line (Anex, 1983)

Bass Guitar - Krzysztof Ścierański
Drums, Percussion - Jerzy Piotrowski
Guitar, Percussion - Paweł Ścierański
Percussion - Marek Wilczyński

Bass Line (Anex, 1983)

This is the 1st album by Polish bass virtuoso Krzysztof Scieranski, who was a member of such notable Polish groups as Laboratorium and String Connection, before starting his solo career. He is accompanied on this album by his brother Pawel Scieranski on guitar, Jerzy Piotrowski (of SBB fame) on drums and Marek Wilczynski on percussion. Scieranski composed all eight compositions on this album, which are quite excellent examples of intelligent Jazz-Rock Fusion and of course his incredible abilities as an electric bass player. Wholeheartedly recommended!

(Editor) The tune comes from album"Krzysztof Ścierański" issued in 1984 and very similar style:

Author: Adam Baruch

http://www.adambaruch.com/

check also his music boutique: https://www.jazzis.com/shop/