Mikołaj Trzaska - alto & baritone saxophones, bass clarinet
Tomasz Stawiecki - tenor saxophone, clarinet, bass clarinet
Kacper Szroeder - trumpet
Jacek Mazurkiewicz - double bass
Michał Moniuszko - double bass
Wołyń
POLSKIE RADIO 2056
By Adam Baruch
This is the soundtrack album with music from the film "Wołyń", directed by the cult Polish screenwriter/director Wojciech Smarzowski, composed by Polish saxophonist/clarinetist/composer Mikolaj Trzaska and recorded by Trzaska, bassist Jacek Mazurkiewicz and an orchestra called The Klezmer Orchestra of Pogranicze Theater, which is located in a small town of Sejny close to the borders between Poland, Lithuania and Belarus. Trzaska wrote the music for all the films by Smarzowski ("Dom Zły", "Róża", "Drogówka", "Pod Mocnym Aniołem" and "Wołyń"), except for his debut film ("Wesele").
The most important aspect of
cinematographic music is of course its relevance to the film, of which it is an
integral part. The question if the music is able to be relevant as an auditory
experience, unrelated to the visual dimension, is very complex. In most cases
soundtracks lose their relevance completely, when placed on an audio record. In
some relatively rare cases, the music assumes an independent identity from the
film and proposes a relevant and coherent audible experience. In extremely rare
cases the music is not only able to stand alone but constitutes a musical
masterpiece if its own right. This is definitely one of those extraordinary
events.
The music combines a multitude
of sources originating in the extremely rich Polish Music tradition, which over
a thousand of years amalgamated dozens of Slavic Folkloristic styles, Jewish
Klezmer music, European Classical Music and of course also Jazz, which in
Polish Culture has probably a more direct influence than anywhere else in Europe or the entire world for that matter. Trzaska, who
is one of the pioneers of contemporary Jewish Music renaissance in Poland, is
of course one of the most successful sorcerers where it comes to updating and
transforming Jewish rooted music into modernist stylistic amalgams, which
include a variety of Jazz sub-genres with an emphasis on Free Jazz and
Improvised Music. These Jazz influences are perhaps less noticeable in this
music, especially for listeners not familiar with them in depth, but it is
there at all times, at the deep foundations of the music.
The overall somber and grave
atmosphere of this music is of course related directly to the film's heartbreaking
subject matter, but might be also related to more contemporary aspects of life,
which influence us all. Trzaska, a deeply sensitive human being, projects his
personality into his music, as all great Artists do, and yet his music becomes
more universal because of it, rather than self-centered, as might be expected.
This is a very unique music,
which could have only been created by a unique composer and the unique
circumstances that influenced it: the convoluted history of the Polish People,
their rich and complex Cultural background and the immense depth of their
catastrophic experiences as a Nation. The decision the release this music on an
album is very commendable. Wholeheartedly recommended!
