Krzysztof HerdzinKrzysztof Herdzin - piano
Rick Margitza - tenor saxophone
Robert Kubiszyn - bass
Cezary Konrad - drums
Przemysław Florczak - Bb clarinet
Łukasz Poprawski - Bb clarinet
Marcin Kajper - Bb clarinet
Mariusz Mielczarek - alto clarinet
Wiesław Wysocki - bass clarinet
The Book Of Secrets (Polish Jazz Vol.84)
WARNER MUSIC POLAND 190295370787
By Adam Baruch
This is an album by veteran
Polish Jazz keyboardist/composer Krzysztof Herdzin recorded in a quartet
setting with American saxophonist Rick Margitza, and Polish rhythm section:
bassist Robert Kubiszyn and drummer Cezary Konrad and a rather atypical clarinet
quintet adding an orchestral dimension to the proceedings. The album presents
seven original compositions, all by Herdzin, which according to him: "make
up a closed narrative" or "a concept album".
Followers of the Polish music
scene are certainly familiar with Herdzin's gigantic legacy amassed during his
professional career since the mid-1990s, which includes twenty (this one
included) albums as a leader, dozens albums as a sideman, numerous compositions
in diverse genres, including Jazz, Pop and Classical Music, arranging,
conducting, producing, playing a myriad instruments and a plethora of other
accomplishments – for more details just read his biography on his website or
his Polish Wiki entry – all this before reaching his 50th Birthday.
There is no doubt that
Herdzin's biography is extremely impressive, or rather extreme in every sense,
almost superhuman. Herdzin is an unusually talented and gifted musician, but
personally I have always found his activities somewhat unfocused, lacking
certain depth beneath all that glitter. His music and his playing are always
"nice", polished, pleasant and nearly "perfect", but at the
same time he seams to tease the listener boasting his aptitudes and most of all
taking it (or himself) way to seriously.
This album is a perfect example
of Herdzin's music in every sense. It is full of brilliant ideas, beautiful
music, melancholy and lyricism, gleaming performances and everything that makes
a listener schvitz. And yet once the music is over, the question "what was
all that about?" arises almost instantly. And yes, the music is instant
gratification incarnate: smooth, easy to swallow and scintillating, like a
glass of champagne.
With all the confusion these
days about what is Jazz and what isn't, I'd say that this album offers entertaining
instrumental music amalgamating Pop with Jazz and Classical Music
ornamentations, which is accessible to a wide audience. As to its lasting
value, time will tell. I wish Herdzin for his upcoming
Birthday another fifty years (and a Jewish 20% bonus) of health and
productivity, and even if I don't always appreciate his music I do appreciate
his Sisyphean effort. May the Force be with you!
Side Note
The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie Nagrania, which used the Muza label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general.
The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz.
Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde/Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned.
After the Polskie Nagrania catalogue was bought by Warner Music Poland, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty two volumes of the original series were reissued.
In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series.
As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is said.
