Marek Kazana Project – Tangola (2013)

Marek Kazana Project

Marek Kazana - soprano & alto saxophones
Tomasz Licak - tenor saxophone
Marek Mac - electric double bass
Grzegorz Grzyb - drums
Szymon Orłowski - bass guitar (track 10)

Tangola

PRIVATE EDITION

By Adam Baruch

This is the debut album as a leader by Polish Jazz saxophonist Marek Kazana, recorded in a quartet setting with saxophonist Tomasz Licak, bassist Marek Mac and drummer Grzegorz Grzyb. The album was recorded "live in the studio" in Radio Szczecin and presents ten original compositions (the title track is repeated twice opening and closing the album), three of which were composed by Kazana and seven are credited to all four quartet members and are largely improvised.

Kazana is relatively little known on the Polish scene, which is a price many musicians pay when choosing the unbeaten path of individuality, usually in the Free Jazz/Improvised Music idiom. Although he was a member of two seminal Polish Jazz ensembles in the 1980s: Young Power and Free Cooperation and participated in quite a few recordings, his remains almost anonymous and recorded this debut album as a leader only in 2012. The fact that he resides relatively far away from the Polish Jazz centers is probably another reason for the lack of his exposure.

The music played by the quartet is definitely part of the Free Jazz idiom, but surprisingly it is quite accessible, preserving melodic motifs and natural flow on one side and a feeling of rhythmic swing on the other, which enable even a less experienced/radical listeners to enjoy this music with relative ease. The individual statements by the participants are all impressive. The young and well schooled Licak plays with confidence and balances Kazana's less groomed approach. Mac glues the music together with his powerful bass lines and Grzyb, who originates from much more conventional circles, adds a barrage of percussion, which at times is a bit over the top, but overall fits the bill quite well.

In general this is a very interesting recording which deserves to be heard well beyond its niche image. Of course it is also a well deserved achievement by Kazana, who certainly should be better known and recognized for his contributions to the Polish Jazz scene. Recommended!

Marek Kazana Project - Tangola (2013) ****

Marek Kazana Project

Marek Kazana - soprano & alto saxophones
Tomek Licak - tenor saxophones
Marek Mac - electric double bass
Grzegorz Grzyb - drums
Szymon Orłowski - bass guitar (track 10)

Tangola (2013)

By Maciej Nowotny

Nowadays we often forget that jazz has always been as much music as life style. Stripped off all its existential  features it looks rather artificial, kind of "new" classical music of Afro Americans, dream-come-true of Marsalis clan and others thinking alike. But for me, and for many people round this globe, jazz is first of all a big force changing, through music, our way of thinking. Opening our eyes. Our hearts. Our souls. Seen from this perspective playing it requires much more than good craftsmanship alone, it is a mission, destiny or even fate. Jazz musicians who were able to reconcile these two elements, the music and its meaning, were always among the most influential of their kind.

First example of such an artist that comes to mind is of course John Coltrane. Incidentally saxophone player as is the leader of this ensemble Marek Kazana. Like Trane Kazana started pretty conventional by winning in 1979 Grand Prix at Jazz Nad Odrą Festival and joining Young Power, probably the most significant collective of young musicians in 80ties in Polish jazz. But like his famous predecessor at certain moment he turned toward spirituality, joined famous Free Cooperation band, and his style become more influenced by such free jazz players like Ornette Coleman or Albert Ayler. Political and economic collapse that took place in Poland at 80ties unfortunately hindered natural development of his career which resulted in almost no significant recordings made by this talented player in last decade or two. Therefore this album seems all the more important being one of rare opportunities to listen to Kazana at all!

Regardless his little recording activity he was always deemed by other musicians as force to reckon with in Polish music. It allowed him to gather a very interesting team for this project. On electric double bass he is accopanied by long time friend Marek Mec, on tenor saxophone by young Tomasz Licak whose album "Trouble Hunting" was among Polish Jazz Top Ten 2012, and on drums by experienced Grzegorz Grzyb, a member of legendary Zbigniew Namysłowski ensambles, one of few drummers in Poland having his own, unique style, feeling equally at ease as much in mainstream as in free jazz.

The experience and youth proved to be truly an explosive mixture producing one of the most outstanding recordings of recent years. Rooted in free jazz tradition, rich in Ornettian grittiness, in Albert Ayler marching rhythms, in Thelonius Monk angular harmonies, it is above all a testament to jazz as spiritual force.  From first to last note packed with action, fresh, improvised but never chaotic, is successfully overstepping some technical difficulties and shows that jazz is capable, still, of transcending popular music into true and timeless art!

Clockwork + Poprawski - Myopic (2011)

Clockwork (duo)

Maciej Wrobel - drums

Szymon Orlowski - bass
+
Lukasz Poprawski - saxophone

Myopic (2011)

When before wedding Giovanni Sforza for the first time saw his bride Lucretia Borgia he said: "You can fool one's mind or one's heart but you cannot fool one's eyes. This girl is as vicious as beautiful!" The same may be said about debut recording by Clockwork duo consisting of drummer Maciej Wróbel and bass guitarist Szymon Orłowski. They both supply dark, oneiric and ecstatic pulse into which Lukasz Poprawski adds on his saxophone lines of innocence, beauty and wonder worthy of every praise. 

Poprawski is already a significant player on Polish jazz scene. He took part as a sideman in many valuable projects of which few are described on this blog like Dominik Bukowski "Times get change" and, most of all, Paweł Kaczmarczyk "Complexity in Simplicity". Up to this moment I knew him as virtuoso and mainstream player but with this recording Popławski shows his ears are wide open and although he retains his rich articulation and impeccable phrasing he added freedom and openness to his play. I want wholeheartedly congratulate him on the performance displayed on this album. It was bold and intelligent move from Wróbel and Orłowski to invite him but their contribution is no less significant to the success of the whole enterprise. They both are accomplished musicians and what is important they have been playing together for many years. In consequence they both sound as one instrument which is characteristic only for best rhythm sections. 

Music itself is using electronics, rock and first of all jazz languages with strong groove playing the main part. But there is so much creativity and spontaneity here that I can only say that it is world in itself worthy to explore by lovers of all kinds of good music with particular emphasis on modern avantjazz. My only small complaint is that with its 35 minutes of music it's too short for my taste. But putting aside this small objection I regard this album as very succesful and I recommend it warmly to readers of this blog!

Author: Maciej Nowotny
http://kochamjazz.blox.pl/html