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Pokazywanie postów oznaczonych etykietą Gruchot Sebastian. Pokaż wszystkie posty
Pokazywanie postów oznaczonych etykietą Gruchot Sebastian. Pokaż wszystkie posty

środa, 12 lutego 2014

Gorzycki & Gruchot – Experimental Psychology (2013) ****

Rafal Gorzycki - drums, percussion
Sebastian Gruchot - acoustic & electric violin, viola, live electronics

FOR TUNE 0021






By Adam Baruch

This is the debut album by a new duo, in which two Polish musicians combine forces to create new, experimental, adventurous music: drummer / percussionist / composer Rafal Gorzycki and violinist / composer Sebastian Gruchot (resident since many years in Norway). Gorzycki is one of Poland's most prolific and fascinating activist known to listeners of contemporary Polish music from his activities as a member of such ensembles as Sing Sing Penelope, Ecstasy Project and other collaborations. Gruchot also participated on several Sing Sing Penelope albums, but most of his work is in the sphere of contemporary Classical, Avant-Garde and electronic music. The album presents eight original pieces, seven of which were co-composed by the duo and the last one is by Gorzycki.

The music is a wonderful glimpse into a new musical universe, which is intimate and often minimalistic, but extremely expressive and captivating. As difficult as it is to come up with something truly innovative these days, the duo manages to do it brilliantly. The seemingly endless array of percussive sounds, rhythms and patterns that Gorzycki manages to produce is simply awe-inspiring. He is one of the very few drummers, who actually play on their instrument, rather than beat the hell out of it. Gruchot is an ideal partner in this process, as his idiosyncratic contribution on strings or electronics are also very "percussive" and compliment the sounds produced by Gorzycki.

There is very little melody here in the conventional sense, and it is up to the listener to discover and possibly to weave his own melodic content around the ambient vistas produced by the duo. Perhaps this is an opening of a new Art Form, where the listener actually participates with the musicians in the process of creation on an imaginary plane, or perhaps it's just my feverish imagination. In any case this music is definitely something else in every sense.

In his liner notes Gorzycki says that he wanted to move away from the familiar Jazz patterns he operated within for many years. He surely managed to do it here, but rather than abandoning them he transformed them into new tools of expression. True, this is not straightforward Jazz in any sense, but why should it be. The path of constant progress, discovery and exploration is the only true path of every Artist, and we, the audience in this case, should be grateful for the gift bestowed upon us as a result.

This is definitely one of the best experimental albums recorded in Poland in 2013 and hopefully will be discovered by open-minded listeners. I ca only salute Gorzycki & Gruchot for being honest to themselves and doing their own thing. Chapeau!

sobota, 5 maja 2012

Sing Sing Penelope & DJ Strangefruit - Electrogride (S. A. Mozg, 2010)

Sing Sing Penelope & DJ Strangefruit (band)

Daniel Mackiewicz - fender pianoWojciech Jachna - trumpet
Patryk Węcławek - bass
Rafał Gorzycki - drums
Olek Kaminski - s. saxophone
Sebastian Gruchot - violin
DJ Strangefruit - live electronics

Electrogride (S. A. Mozg, 2010)

This is the 5th album by the sensational Polish ensemble Sing Sing Penelope, recorded in cooperation with Norwegian DJ Strangefruit (real name Pal Nyhus) and Polish (resident in Norway) violinist Sebastian Gruchot. The regular SSP lineup (trumpeter Wojciech Jachna, saxophonist Tomasz Glazik, keyboardist Daniel Mackiewicz, bassist Patryk Weclawek and drummer / percussionist Rafal Gorzycki) is slightly changed with saxophonist Aleksander Kaminski fulfilling the position of the absent Glazik. The circumstances surrounding the recording of this album are connected to the Smolensk catastrophe, in which a plane carrying Polish Government officials crushed killing everybody on board. The musicians who recorded this album were suppose to tour Polish clubs, but as a result of the mourning the concerts were cancelled and instead they recorded the album, which was distributed free of charge in the clubs, where the concerts were supposed to be played. Of course today this album is a rare collector's item.

Musically this album marks another expansion of SSP already adventurous music into new territory, with the inclusion of electronics and ambient elements. The music becomes more contemplative and spacey, in comparison to their earlier efforts, but the Jazz solos and overall atmosphere is unmistakably SSP. Another innovation is the use of World Music percussive elements by Gorzycki, which adds another dimension to the music. The album's ac hoc nature and the short (EP size) repertoire are all results of the on the spot decision to make the album at the time and the fruition of the ideas contained herein was fully realized in their next album. In retrospect this little gem appends a valuable add-on to the splendid recorded legacy of the ensemble so far and as usual is a splendid piece of contemporary music of rare quality.



Track listing: 1. electrogride part 1; 2. electrogride part 2; 3. electrogride part 3; 4. electrogride part 4; 5. electrogride part 5; 6. electrogride part 6

By Adam Baruch
www.adambaruch.com

środa, 18 kwietnia 2012

Sing Sing Penelope – This Is The Music / Volume 1 (2012)


Sing Sing Penelope (band)

Wojciech Jachna - trumpet
Aleksander Kamiński - soprano saxophone
Tomasz Glazik - tenor saxophone, bass clarinet
Daniel Mackiewicz - rhodes, tabla, percussion
Patryk Węcławek - bass
Rafał Gorzycki - drums
DJ Strangefruit - live electronics
Sebastian Gruchot - violin

This Is The Music / Volume 1 (2012) 

This is the 6th album by the brilliant Polish ensemble Sing Sing Penelope, formed and led by drummer Rafal Gorzycki, which includes also trumpeter Wojciech Jachna, saxophonists Aleksander Kaminski (new member) and Tomasz Glazik, keyboardist Daniel Mackiewicz and bassist Patryk Weclawek. Two guest artists, who played on the ensemble's previous recordings, are also present here: violinist Sebastian Gruchot and DJ Strangefruit from Norway on live electronics. It seems that SSP (as they are known in this age of shortcuts) can do no wrong and this album is every bit as grand as everything else they attempted previously, which after six albums and ten years amounts both to a substantial body of music as much as their impeccable reputation. The music, contributed collectively or individually by all participants, is as usual a completely original mix of styles and sub-genres, disregarding boundaries and freely moving from one territory to another. Atmospheric / ambient electronic sounds over strong, pulsating rhythmic patterns and Jazz solos on top seems to be shortest way to describe this music, although it manages to escape any simple depiction, which of course means there is interesting stuff happening here. In many respects this album sums up the decade of the ensemble's existence, covering everything from their Jazz-Rock efforts, through the Free Jazz improvisations and recent ambient vistas. In retrospect SSP emerge as perhaps the most interesting phenomenon of the first decade of the 21st Century on the Polish scene, being the most consistent, searching and completely disregarding fads group of young musicians around. An absolute must to any serious Jazz listener, wishing to reach beyond the obvious!


Track listing: 1. Bread; 2. Blue Hypergiant; 3. Mini Song; 4. This Is The Music; 5. Vennesla; 6. Skarb

By Adam Baruch
www.adambaruch.com


środa, 29 lutego 2012

Sing Sing Penelope – Music For Umbrellas (Monotype Records, 2006)

Sing Sing Penelope (band)

tomasz glazik - tenor & baritone saxophones, flute, synth 
rafał gorzycki - drums
wojciech jachna - trumpet, flugelhorn
daniel mackiewicz - electric piano, synth, organ, tabla, percussion
patryk węcławek - bass, double bass, kalimba, percussion
sebastian gruchot - violin (track 2)

Music For Umbrellas (Monotype Records, 2006)


This is the 2nd album by the incredible Polish Jazz ensemble Sing Sing Penelope, led by drummer Rafal Gorzycki and also including trumpeter Wojciech Jachna, saxophonist Tomasz Glazik, keyboardist Daniel Mackiewicz and bassist Patryk Weclawek. Violinist Sebastian Gruchot guests on one track. They play all original music, composed mostly by Gorzycki and Jachna or credited to the ensemble. Stylistically this is an incredible mixture of many elements from Jazz, Rock, Ambient, RIO and other areas, completely eluding any attempt of pinpointing or categorization. They are definitely one of the most interesting and most consistently excellent ensembles currently active on the Polish scene, which of course is a major compliment. All these players are excellent instrumentalist, the music is fresh, unusual and truly intelligent, but in spite its complex nature manages to embrace the element of melody, which is often mostly lost in adventurous attempts tried by others. I suppose that if Frank Zappa was alive today, he'd have loved to play with these young musicians behind him, but so would a lot of other great musicians. In any case this, and the other recordings by this group, is a beacon of hope that not all is lost in music in the 21st Century. Absolutely not to be missed!

Tracklisting: 1. Chickens [5:33]; 2. Fis & Love [10:22]; 3. La Couchette [7:53]; 4. Black Minority [7:26]; 5. Walce Bydgoskie [9:20]; 6. Summa Musica [10:16]


By Adam Baruch

poniedziałek, 20 lutego 2012

Sing Sing Penelope – We Remember Krzeselko (2008) by Adam Baruch

Sing Sing Penelope (band)

Tomasz Glazik - tenor & baritone saxophones, flute, synth
Wojciech Jachna - trumpet, flugelhorn
Daniel Mackiewicz - electric piano, synth, organ, percussion
Patryk Węcławek - bass, double bass, percussion
Rafał Gorzycki - drums
Sebastian Gruchot - violin (track 1,3,4,7)

We Remember Krzeselko (2008)

This is the 3rd album by excellent Polish ensemble Sing Sing Penelope, led by drummer / composer Rafal Gorzycki, one of the most versatile and diligent Polish musicians, who also created and leads other ensembles, like Ecstasy Project. Gorzycki incorporates Jazz tradition with contemporary Classical music, Avant-garde, Rock, Punk and a myriad of other genres and sub-genres, completely ignoring conventions, like many of his Polish contemporaries on the off-centre music scene. 

His recording legacy in the last decade is quite prolific, presenting many quite contrasting, but always intriguing musical vistas. This album is definitely one of the most interesting of his recordings, and one of the best albums coming out of Poland in the first decade of the 21st Century. On this album the ensemble includes trumpeter Wojciech Jachna, saxophonist Tomasz Glazik, keyboardist Daniel Mackiewicz and bassist Patryk Weclawek. Violinist Sebastian Gruchot guests on four tracks. The music, all original of course, is a stunning amalgam of Modern Jazz, Avant-Rock, RIO, contemporary Classical; in short completely beyond classification. Somehow all this makes perfect sense musically and leaves the innocent listener completely stunned. The strange thing is that this music might appeal to Jazz and Rock (especially Progressive Rock) audiences with equal might, but certainly it's extremely unlikely someone might stay indifferent to it.

In short this is a blast of an album, which took me by complete surprise and made me return to it several times already. As to the album's title, I have no idea what the ensemble really meant, even after watching the short video included on the album, but my guess would be that it's a pun on the many Polish Jazz albums dedicated to the memory of Krzysztof Komeda, including the famous "We`ll Remember Komeda" album? In any case this album is an absolute must!

Track listing: 1. "No Title" – 06:35; 2. "James Bond" – 07:25; 3. "Talkin'" – 04:05; 4. "Farewell Dutch Hering" – 10:24; 5. "It Has Just Begun, Doctor" – 10:28; 6. "Third Man On The Moon" – 07:43




By Adam Baruch

niedziela, 12 lutego 2012

Sing Sing Penelope & DJ Strangefruit - Electrogride (S. A. Mozg, 2010)

Sing Sing Penelope & DJ Strangefruit (band)

Daniel Mackiewicz - fender piano
Wojciech Jachna - trumpet
Patryk Węcławek - bass
Rafał Gorzycki - drums
Olek Kaminski - s. saxophone
Sebastian Gruchot - violin
DJ Strangefruit - live electronics

Electrogride (S. A. Mozg, 2010)

Rafał Gorzycki is moving force behind few of most interesting bands playing avantgarde jazz in Poland. Be it Ecstasy Project ('Reminiscence Europae'), Dziki Jazz or Sing Sing Penelope ('Stirli People In Jazzga') he always goes along the way of what is open-minded and free in modern jazz. No different is 'Electrogride" where he united forces with Norwegian DJ Strangefruit to saturate his language with electronically generated sounds. With this album Gorzycki directed his music towards minimalism until now absent on his albums.  Although on his previous releases rhythm and noise always played main role here silence and trance take over. One must be prepared for patient and thoughtful rehearsal to appreciate elegant if somewhat monotonic (at moments) features of this music.  


By Maciej Nowotny (http://kochamjazz.blox.pl/html)

niedziela, 4 września 2011

Spejs - Rozwinał mi sie turban (Biodro, 2010)

Spejs (band)
Tomek Glazik - sax, electronics
Karol Szaltis - keyboards
Jacek Buhl - drumms
DJ Awry Sz
Audun Ramo - bass
Sebastian Gruchot - violin

Rozwinął mi się turban ((Biodro, 2010)

This project definitely deserves close examination! Musicians involved are first rate: Tomek Glazik is excellent sax-man who played with such good avantjazz groups as Sing Sing Penelope or Contemporary Noise Sextet; drummer Jacek Buhl is crucial player in Polish avantgarde and his latest release "Unfinished Books" is among top three best Polish jazz albums this year; Sebastian Gruchot is talented violinist who as Glazik is associated with Sing Sing Penelope. The project begun in fertile musical scene focused around legendary Mózg club located in Bydgoszcz.

What kind of music this Polish-Norwegian band delivers? It is deeply rooted in yass movement with its iconoclastic yet self-ironic attitude therefore it sounds fresh and brave. It is also very noisy, with strong electronic component, often chaotic and unstructured which may sound for unprepared ear difficult and edgy. There is plenty of improvisation on this record which is inspiring but it doesn't necessarily mean that this collective freedom brings much beauty to the surface. In fact it often doesn't which is to certain extent deliberate but it is also good example of what Tomasz Stańko once described (having in mind some of his own albums from 70ties) as type of free jazz "interesting for one or two movements but tiresome in the long term". As you probably know I am rather critical toward typical mainstream jazz as it is too predictable but I am also distanced from free jazz that chooses to be uncommunicative. Still, I feel like there is great potential in this band if they stop to stick too closely to long gone yass heritage and engage in dialogue with present audience that looks in jazz less for revolution but more for good, classy yet ambitious entertainment.

Check following video for sample of this band's music:


Author of text: Maciej Nowotny

niedziela, 24 stycznia 2010

Sing Sing Penelope - We Remember Krzeselko (2008) by Maciej Nowotny



One of the reasons that polish contemporary jazz scene is relatively unknown to international audience is that it is so much avant garde. The reason lays in "Brain", but I am not thinking only about this misteriuos organ located usually in our head but rather of the famous music club located in Bydgoszcz, in northern part of Poland, foggy and cold Pomerania.

So it happened in Poland that after 50ties when polish jazz was born, 6oties when it reached maturtity and blossomed, 70 ties when it went abroad and become known in other countries, in 80ties it became stagnant and closed to musical developments that took place outside the genre. It coincided of course with the dramatic situation in the country which after the Solidarity movement was crushed by gen. Jaruzelski in 1981 became very bleak, grey and uninspired place to live in. Then year 1989 happened and the communism was over but it took many years before country started to recover from the gloom of the past.

In such a dire conditions few crazy poeple like Ryszard Tymon Tymański, Leszek Możdżer, Maciej Sikała and Mikołaj Trzaska from Tricity (consisted of Gdynia, Sopot and heroic Gdańsk) formed a group called Love (Miłość) that was to change the course of history o polish jazz. As well-known critic Tomasz Szachowski once wrote: "Miłość began a creative ferment, it gathered a group of believers, it led to the creation of a new stream in Polish jazz. Today this stream gathers at least over ten musicians, it has its own record company (Biodro Records), its own festival ("Muzyka z Mózgu" / "Music from the Brain"), and a number of clubs of which "Brain" located in Bydgoszcz is the most important." This new movement was called yass in opposite to jazz and was always alternative to main stream, avant garde, experimental and free. Though Sing Sing Penelope is a band that belongs to second generation of young polish yass players it retains all characteristical features of its founders.

Sing Sing Penelope consissts of following players:

Tomasz Glazik - tenor & baritone saxophones, flute, synth
Wojciech Jachna - trumpet, flugelhorn
Daniel Mackiewicz - electric piano, synth, organ, percussion
Patryk Węcławek - bass, double bass, percussion
Rafał Gorzycki - drums
Sebastian Gruchot - violin (track 1,3,4,7)

All these guys are excellent players, very well educated, very creative and active in multiple projects and bands that play similar progressive music like Pink Freud, Contemporary Noise Quartet, Ecstasy Project or Robotobibok. These bands all form the core of polish avantgarde which is another interesting aspect of thriving polish jazz scene which cerainly should draw more attention from foreign listeners and recording companies.

Please listen to cover track from this album, a song composed on the occasion of funeral rite of little chair ("krzesełko"). This shows what young artists think about generally sad and reflective tone of polish jazz and classical music ;-)


By Maciej Nowotny


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