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Pokazywanie postów oznaczonych etykietą Pilch Jan. Pokaż wszystkie posty
Pokazywanie postów oznaczonych etykietą Pilch Jan. Pokaż wszystkie posty

piątek, 4 stycznia 2013

Laboratorium – Anthology 1971-1988 (2006)

Janusz Grzywacz - keyboards, leader
Marek Stryszowski - saxophone, vocals
Pawel Scieranski - guitar
Krzysztof Scieranski - bass
Mieczyslaw Gorka - drums
Ryszard Styla - guitar
Krzysztof Olesinski - bass
Andrzej Mrowiec - drums
Jan Pilch - percussion


METAL MIND BOX 001

By Adam Baruch

This box set compiles all the albums released by the Polish Jazz-Rock Fusion ensemble Laboratorium, which was without a shadow of a doubt one of the best and most important Fusion outfits in Eastern Europe before the fall of the Iron Curtain. Over the years the band managed to release ten albums, an unprecedented achievement at the time, of which seven were studio recordings, two were recorded live and the last one was a compilation of previously unreleased tracks. Two of the studio albums were released on the legendary Polish Jazz Series (Volumes 49 and 58). All the ten albums were remastered for this box set release and expanded with a plethora of bonus tracks, which include studio outtakes, radio and live performances and mini-sleeved. The booklet includes a detail history of the band and reflections about the albums by the band's founder / leader keyboardist / composer Janusz Grzywacz.

As all ensembles Laboratorium changed lineups over the years, but enjoyed relatively steady personnel for extended periods of time, which undoubtedly added to their success. Most of their material, which is covered by their second to sixth albums (and the compilation album), was recorded by a steady lineup, which included in addition to the leader also saxophonist / vocalist Marek Stryszowski, guitarist Pawel Scieranski, bassist Krzysztof Scieranski and drummer Mieczyslaw Gorka. On the later albums the lineup includes Grzywacz and Stryszowski (who are the only musicians appearing on all the ten albums) with guitarist Ryszard Styla, bassist Krzysztof Olesinski, drummer Andrzej Mrowiec and percussionist Jan Pilch. The debut recording, which initially occupied only one side of an LP, features the legendary Polish violinist Zbigniew Seifert and is stylistically quite close to Free Jazz in contrast to the Fusion direction adopted later.

The band performed only original music, which of course was a courageous decision, and with a singular exception, all the music enclosed herein was composed by Laboratorium members, mostly by the leader but also by others or co-composed by the band. Over the years Grzywacz emerged as a first rate tune-weaver with an excellent ability to write great melodies and riffs, which make the music accessible, even when it becomes quite complex. The music remains intelligent and ambitious throughout, with a remarkable consistency of high-level quality. But the most important factor of Laboratorium was its ability to constantly evolve and change, which is quite evident to anybody listening to the music in the proper historic order. Grzywacz slowly moved from acoustic to electric piano and then to synthesizers, but never indulged in mindless pyrotechnics which so many of his colleague keyboardists fell victim to during that period of time. Laboratorium managed to avoid that terrible, obnoxious 1980s cheesy synthesizer sound, which is a success in itself.

Although most of the music performed by Laboratorium is instrumental, they used the human voice time and again in an instrumental capacity. These vocalese experiments are all quite interesting and present another layer of the band's musical range. It seems that Polish Jazz is particularly fond of such experimentation since its early days and it's definitely interesting to hear how Laboratorium handled them.

There are endless moments of musical joy inside this box set; virtuosic performances by the musicians, especially those by Krzysztof Scieranski, who stands easily shoulder to shoulder with such bass heroes as Jaco Pastorius, beautiful melodies, funky grooves, superb guitar and keyboards solos, in short Fusion heaven for all connoisseurs of the genre. I can't imagine any Fusion fan anywhere on this planet not being melted away by the beauty of this music.

The box set is an individually numbered limited edition and if you can put your hands on a copy, don't you dare to hesitate even for a moment – it's worth its weight in gold!

niedziela, 14 października 2012

New Bone - Destined (2012) by Philip Coombs

New Bone (band)

Tomasz Kudyk – trumpet & flugelhorn
Marcin Ślusarczyk – alto saxophone
Paweł Kaczmarczyk – piano
Maciej Adamczak – bass
Dawid Fortuna – drums

special guests:
Jan Pilch – percussions
Tomasz Grzegorski – tenor saxophone

Destined (2012)

If free jazz was the affair and this album was the marriage, a divorce would almost be certain. The lawyers would have been called in and all parties lectured on what to say as to not lose everything in the settlement. The point I will try to make surfaces in songs like, 'New Ballad For'; a beautifully played tune with plenty of hooks and familiar melodies but a marriage needs to be based on love and when loves fades or leaves completely, we tend to go out and find a new variation or a complete replacement. This song and many others on the New Bone album 'Destined' fit into that category. They are easy to really like but difficult to love.

As with any marriage that has had any longevity, there are moments and memories that will play over and over in your head regardless of how horrid it ended. The opening track, 'We'll See', will have you humming the melody days after you have turned the album off and started listening to something else. One morning you will be frozen in front of a mirror brushing your teeth trying to place where such a lovely melody came from. Was it the music on the beach during the honeymoon or was it New Bone?

The musicianship on this album is at times breathtaking but it also seems that they are playing a very familiar songbook. Tomasz Kudyk (trumpet and flugelhorn), Marcin Slusarczyk (alto sax), Pawel Kaczmarczyk (piano), Maciej Adamczak (bass) and Dawid Fortuna (drums) sound like they could play this blindfolded. To their credit, and what seems to be a sense of the marriage starting to fall into complacent mode, decide to spice up the relationship by adding percussionist Jan Pilch and tenor sax player Tomasz Grzegorski. However, they too fall into some mainstream trappings with familiar Latin beats and comfortable solos and breaks, albeit played very well.

'Altanowa 18' again gives us a killer melody that is destined to get stuck in your head in no time. The solos get traded off seamlessly and sound effortless. Kaczmarczyk kicks off 'Like Me' with a wonderful piano mood giving way to a wall of horns. Can it be that this piece is predicting the end? It is more serious than the rest while generating some guilty emotion and a little darkness. 

The moral of the story; buy your loved one a little something on your way home today just for the element of surprise.

Philip Coombs


Track listing: 1. We’ll see; 2. New Ballad for...; 3. Altanowa 18; 4. Like me; 5. At last free; 6. Destined...; 7. Straight and Swingly; 8. Oh! The end 

wtorek, 4 września 2012

Grzech Piotrowski - World Orchestra (Agora, 2012)

Grzech Piotrowski 

Grzech Piotrowski - sax
Theodosii Spassov - kaval
Ruth Wilhelmine Meyer - vocal
Terje Isungstet - vocal, wood percussions, stones, creator of ice-music
Azat Bikchurin - kurai
Marcel Comendant - Moldavian dulcimer
Bram Stadhouders - electrical guitar
Marcin Wasilewski - piano
Michał Barański - double bass
Jan Pilch - percussions
Robert Luty - drums
Sandra Kopijkowska - harp
oraz ALCHEMIK STRING ORCHESTRA

World Orchestra (Agora, 2012)

Grzech Piotrowski WORLD ORCHESTRA is a project spanning many cultures, and it’s all based on the Polish Alchemik String Orchestra in combination with soloists from selected folk cultures from around the globe. The orchestra plays Grzech Piotrowski’s music, which is rooted on Polish music tradition, and incorporates into this, sounds, instruments and melodies from other countries. The orchestra toured Russia and Poland in July 2010, and a tour of Poland and Slovenia in summer 2011.

The orchestra has invited soloists playing different folk instruments such as zither, lyre, harp, bandura, cymbals, kuray, kaval and duduk, amongst others. Some of the soloists are: Marcin Wasilewski/ piano (Poland), Theodosii Spassov/ kaval (Bulgaria), Terje Isungset/ percussion,drums (Norway), Azat Bikchurin/ kurai (Bashkiria,Ural), Bram Stadhouders/ guitar (Holland), Marcel Comendant/ cimbalom (Moldavia) and Ruth Wilhelmine Meyer / voice (Norway).

Grzech Piotrowski WORLD ORCHESTRA recorded a CD in July 2010, and another one in August 2011. The latter to be released in spring 2012.

critics:

"Music Window to the World
...Singing, miming, gesticulation, stage movement as well as costumes of the invited world music guests made us realize in how much restricted music space we live everyday. Into the intricate, multileveled stylistics of Piotrowski's compositions perfectly inserted themselves jazz musicians, headed by Marcin Wasilewski, who enriched the pieces with element of improvisation. The leader and the author of the project Grzech Piotrowski managed to join in a harmonic way the strengths of so different musicians. In his synthesis of world music, jazz, old and improvised music he demonstrated a lot of creativity. His compositions radiated energy, were lyrical and nostalgic. The pieces might have been very successful as film music for their figurative and mood qualities. The performers were cheered enthusiastically by the thrilled audience...

...The Norwegian delighted the audience with her 5-octave, unusually expressive voice as well as a number of techniques taken from different vocal traditions of the world (especially the Arctic Circle area) like for example the throat singing..."


By Katarzyna Chmura (Gazeta Wyborcza - 16 sierpnia 2011)



Tracklisting: 1. Clouds 2. Bogurodzica 3. Sirdaria 4. Barin 5. Warmiak 6. Armenian 7. Yunus Emre 8. Farvel

czwartek, 23 czerwca 2011

Alchemik - Sfera Szeptów (Empik Jazz, 2001)

Alchemik
Grzech Piotrowski – soprano saxophone, sopranino
Marcin Masecki – piano
Marcin Murawski – bass
Robert Luty – drums
Jan Pilch – percussion
Barbara Witkowska – harp
Chamber String Ensemble Alchemik – String Quartet

Empik Jazz, 2001

I often use label "smooth jazz" as synonymous of unambitious and bad jazz. But to be honest I am wrong: ANY music may be good or bad, regardless labels which we decide to attach to it. And this album is a very good example of that!

Although verging between smooth jazz and nu jazz therefore using all-well-known harmonies and arrangements, yet it is graciously composed and performed. It is creating relaxing background to comfortable armchair, dimmed lights and evening rest or meditation...

Apart from Grzech Piotrowski whose play on soprano saxophone and sopranino resembles a lot that of Jan Garbarek, I was interested in Marcin Masecki's performance on piano. His recordings with Piotrowski were one of the first in his career: his play on this album is good but pretty much fits in general mood of delicacy and sweetness. Therefore it is even more commendable that in years to come he has been able to dramatically change and develop his musical language which is evidenced by such excellent albums like Pink Freud's "Alchemia" (2007) or his solo "John" (2010). A great example for other young Polish jazz players to follow!

Author of text: Maciej Nowotny (http://kochamjazz.blox.pl/html)

Check this video to get to know about the general mood of this music:



środa, 8 czerwca 2011

Jarosław Śmietana - African Lake (2000)

Jarek (Jarosław) Śmietana is one of giants of Polish jazz and most probably the best guitarist in its history. Back in 70ties he participated in legendary group called Extra Ball and since then  has collaborated with countless musicians in Poland and abroad. Unlike many of his colleagues from that generation, he remains active and records every couple of years new albums. Though he no more pushes boundaries of jazz forward, yet Śmietana usually delivers great  sound, almost always staying close to his beloved fusion jazz aesthetics.

Strong sides of Jarek Śmietana projects are musicians and compositions. On this album both those elements are of the highest quality indeed. Top Polish players like Adam Kowalewski (db), Adam Czerwiński (dr), Jerzy Małek (tr) and Jan Pilch (perc) are supported by excellent foreign Cameron Brown (db), Jeremy Pelt (tr) and Leopoldo F. Fleming (perc). But of course the most famed among them is Gary Bartz (as, ss) who is remembered to be playing with Miles Davis between 1970-71. All these musicians emerge on this CD in different setups (recording sessions took place in Warsaw as well as in New York) but they never fail to produce great sound: varied, rich, melodic.

And in this way we came to another nice feature of this album: tunes that are mostly penned by Jarek Śmietana (some old but few new ones as well) with nice addition of compositions by Gary Bartz, Zbigniew Namysłowski and one standard by Thelonius Monk. Music is very accessible, easy-to-listen and optimistic and shall fit perfectly to the coming summer season. African notes are perhaps most difficult to find in this album: some minor ones in work of guitar or percussion using congas but otherwise it has little (if nothing) in common with African music but rather it is decent piece of straight-ahead jazz with some soul and fusion accents. Good stuff!

Check this film for sample of music from this album:



Author of text: Maciej Nowotny (http://kochamjazz.blox.pl/html)

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